Andrew Graham-Dixon begins his exploration of German art by looking at the rich and often neglected art of the German middle ages and Renaissance. He visits the towering cathedral of Cologne, a place which encapsulates the varied and often contradictory character of German art. In Munch he gets to grips with the earliest paintings of the Northern Renaissance, the woodcuts of Albrecht Durer and the cosmic visions of the painter Albrecht Altdorfer. Andrew also embarks on a tour of the Bavarian countryside, discovering some of the little-known treasures of German limewood sculpture.
Category:Art Duration:59:00 Series: The Art of Germany
Travelling from the unique Muslim contribution in the medieval south, Andrew Graham-Dixon immerses himself in true Spanish culture and meets the people who live and work with this artistic legacy. He looks at Muslim political and cultural influence as he travels from Cordoba to Granada, seeing classic buildings such as the Great Mosque in Cordoba, the Alcazar in Seville and the Alhambra in Granada. He also shows how the Moors introduced new foods – including citrus fruits, coffee and spices
Category:Art Duration:59:00 Series: Art of Spain
When ancient architects completed construction on the Great Pyramid at Giza, they left behind the greatest riddle of the engineering world—how did builders lift limestone blocks weighing an average of two and a half tons 480 feet up onto the top of the Pyramid? For centuries, adventurers and Egyptologists have crawled through every passageway and chamber of the Pyramid, measuring and collecting data in an attempt to determine how it was built. For the first time, a revolutionary theory argues that the answer may be inside the Pyramid. Architect Jean-Pierre Houdin and Egyptologist Bob Brier use 3-D software to unlock the secret.
Andrew Graham-Dixon reveals how the Medici family transformed Florence through sculpture, painting and architecture and created a world where masterpieces fetch millions today. Without the money and patronage of the Medici we might never have heard of artists such as Donatello, Michelangelo or Botticelli, and Graham-Dixon examines how a family of shadowy, corrupt businessmen, driven by greed and ambition, became the financial engine behind the Italian Renaissance.
|Showing 9||- 12||of 18||<<||<||>||>>|