A music documentary about Metallica's making of their album 'St. Anger' and the difficulties they had to go through in the process. Joe Berlinger shot over 1200 hours and followed one of the most successful heavy-metal band in history around night and day for over a year to create this documentary. It tells the trials and tribulations of the group as they cut their first album in six years. The members of the band submitted to two years of intensive group therapy to work through conflicts in their 20-year working relationship.
One of Cezanne’s best-known pictures, but it is also one of his most mysterious. Why did the so-called father of modern art paint two old men hunched over a game of cards? What is the picture trying to tell us? By exploring Cezanne’s puzzling religious beliefs and his passion for Mary Magdalene, the patron saint of Provence, Waldemar Januszczak uncovers the surprising secrets of a haunting masterpiece.
Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated film, Us + Them, featuring state-of- the-art visual production and breath-taking sound in this unmissable cinema event. Filmed in Amsterdam on the European leg of his 2017-2018 'Us + Them' tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums The Dark Side of the Moon, The Wall, Animals, Wish You Were Here and from his last album, Is This The Life We Really Want? Waters collaborates once more with Sean Evans, visionary director of the highly acclaimed movie, 'Roger Waters The Wall,' to deliver this creatively pioneering film that inspires with its powerful music and message of human rights, liberty and love.
The Vision After the Sermon, also known as Jacob Wrestling with the Angel, is a painting full of symbolism and mystery. But what does Gauguin’s famous work have to do with a 17-year-old girl called Madeleine, with Victor Hugo’s Les Miserables, and with sumo wrestlers? Waldemar Januszczak reveals all as he investigates Gauguin’s epic religious painting about good and evil, temptation and desire.
Hanging in the Barnes Foundation in Philadelphia, Seurat’s Les Poseuses is probably his least-known painting. It is also a picture brimming with codes and hidden meanings. It shows three nudes in the artist’s studio, but included in the background is Seurat’s famous masterpiece, A Sunday Afternoon on the Island of La Grande Jatte. Why is it there? What is it trying to say? Why two pictures at once? Waldemar Januszczak investigates.
