Chronicling events that unfolded over 93 days in 2013 and 2014, this documentary witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation's president. The film captures the remarkable mobilization of nearly a million citizens from across the country protesting the corrupt political regime that utilized extreme force against its own people to suppress their demands and freedom of expression.

The absorbingly cinematic Ascension explores the pursuit of the 'Chinese Dream.' This observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all. Behind all, the ideology used in China to acquire acquiescence from the lower class workers in the factories, restaurants, resorts, etc who are sold a dream of one day being able to join the elite classes if they work hard enough.
Almost mesmerizing with its cinematography, akin to the dreams of consumerism and the narratives of wealth that are being sold to the underclass workers, the film nicely illustrates the Chinese economy of the present.

In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions. Werner Herzog and Russian co-director Dmitry Vasyukov takes viewers on yet another unforgettable journey into remote and extreme natural landscapes. The acclaimed filmmaker presents this visually stunning documentary about indigenous people living in the heart of the Siberian Taiga. Deep in the wilderness, far away from civilization, 300 people inhabit the small village of Bakhtia at the river Yenisei. There are only two ways to reach this outpost: by helicopter or boat. There's no telephone, running water or medical aid. Follow the Siberian trappers through all four seasons of the year to tell the story of a culture virtually untouched by modernity.

Without words, Ron Fricke shows us the world, with an emphasis not on 'where,' but on 'what's there.' It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. (Click CC for places description)

Agnes Varda, one of the leading lights of France's honored French New Wave cinema era, and professional photographer and muralist, J.R., partake on a special art project. Together, they travel around France in a special box truck equipped as a portable photo booth and traveling printing facility as they take photographs of people around the country.
With that inspiration, they also create special colossal mural pictures of individuals, communities and places they want to honor and celebrate. Along the way, the old cinematic veteran and the young artistic idealist enjoy an odd friendship as they chat and explore their views on the world as only they can.

Imagine being in jail. Now imagine living in a foreign country. Scary? Raphael Rowe served 12 years in prison for a crime he was eventually acquitted. He takes you inside these jails. Rowe shows what living conditions are for the inmates, as well as the guards. You'll never look at prison the same.
In the first episode, Raphael Rowe spends a week behind bars at Tacumbu prison in Paraguay, where inmates scrounge in the trash in order to pay their own way.