In the annals of Hollywood film since the artistic glories of the New Hollywood era, few have a better reputation and body of work in the field of suspense films exploring the contemporary darkness in American life than Brian De Palma. Here, the great film writer and director takes, us in his own words, through his professional life and a career that redefined film horror and suspense. All the while, he also confesses the challenges of working in Hollywood and the price even the great artists pay for being a part of it.
The human eye can see extraordinary detail, but the eye of a needle held at arm's length is pretty much at the limit of our vision. Anything smaller is simply invisible, at least to the naked eye. But what if we could see this hidden world all around us in greater detail and magnification than ever before? How different would our familiar surroundings then seem? Richard Hammond explores the astonishing miniature universe all around us, revealing that small is not only beautiful, it can also be very, very powerful. From seeing the microscopic changes to ice crystals that can trigger an avalanche to watching in horror the invisible aftermath of a sneeze on a commuter train and learning how the surface of an ordinary-looking plant hides an astounding secret that will make walking on the moon safer, Richard harnesses cutting-edge technologies to transport the viewer into a spectacular micro realm.
The 24th July 2010... 80,000 Lives... 4,500 Hours of Footage... 2 Award winning Filmmakers... Now one incredible motion picture event. What began life as a startling cinematic experiment becomes the must see movie experience. Created entirely from footage uploaded by YouTube users, Life in a Day is a film first: exhilarating, moving and very, very funny. It is the story of our world. Told by us. Ridley Scott produced the film and edited the videos into a film with director Kevin Macdonald and film editor Joe Walker
Corey Feldman (star of Friday the 13th: The Final Chapter) narrates Crystal Lake Memories, which features interviews with approximately 150 cast and crew members from all twelve Friday the 13th films and the syndicated television series, many of whom have never before appeared in on-camera interviews. Interview subjects include Kane Hodder, Robert Englund, Tom Savini, Danielle Panabaker, Sean S. Cunningham, Derek Mears, Betsy Palmer, Wes Craven, Robert Shaye, Alice Cooper and many more
The ultimate adventure in scientific inquiry, this fascinating program follows the exploits of a small group of pioneering mathematicians who discovered a whole area of study that is revolutionizing all branches of understanding in the world: fractal geometry. Fractals are most recognized as a series of circular shapes with a border surrounded by jagged "tail-like" objects. The program, aimed at the average viewer does a fine job of explaining the background of fractals, first by beginning with the story of Pixar co-founder, Loren Carpenter's work at Boeing, developing 3D terrain from scratch using fractals. From there the program starts at the beginning with an introduction to Benoit Mandelbrot and his revolutionary work. The explanations are full of solid factual information but never talk above the level of a viewer who has some understanding of basic mathematical principles. Once the concept is presented the program spends the rest of the time showing how prevalent the fractal is in life. For a program about a mathematical concept, "Fractals" is very engaging, showing how the process was applied to special effects as far back as the Genesis planet from "Star Trek II" all the way to the spectacular finale on Mustafar in "Star Wars: Episode III." I found myself astonished at how fractals were the source of the lava in constant motion and action during the Obi-Wan/Anakin fight. What is more amazing is when the program delves into practical applications such as cell phone antennas, and eventually the human body. For the average person who enjoys watching science related programs, even on a sporadic basis, "Fractals" will prove to be a very worthwhile experience. The program is well produced, integrating talking head interviews (including some with Mandelbrot himself) with standard "in the field" footage. The structure of the program is very logical and never finds itself jumping around without direction. In simplest terms, this is a program as elegant as the designs it focuses on.
