Richard Dawkins explores what science can tell us about death. It's a journey that takes him from Hindu funeral pyres in India to genetics labs in New York.Dawkins brings together the latest neuroscience, evolutionary and genetic theory to examine why we crave life after death, why we evolved to age and how the human genome is something like real immortality - traits inherited from our distant ancestors that we pass on to future generations.
Technology is opening up new possibilities for physical, sexual and romantic relationships with astonishing speed. But is seeking human connection virtually a positive step forward or are we stunting our intimate lives? In the first episode of this series, meet a cyber BDSM couple who use tracking technology to fulfill their master slave relationship; an eligible bachelor in Japan who has fallen in love with a virtual girlfriend; and a revenge porn victim whose life was upended when her private naked photos were published online.
Chinese 'Cockblock'. In China, where marrying-age men outnumber women by the millions, discover the lucrative business catered to matchmaking and the bachelors who use such services. 'European Meltdown' With their economy in the toilet and no jobs to be had, Europe's youth are taking to the streets to demand radical changes.
From director Amy Berg: 'Just a year and a half ago, after spending over four years on the same story for CNN and CBS before that, a paedophile priest named Oliver O'Grady decided he would participate in the film I wanted to make. It became Deliver Us From Evil -- the story from inside the sickest mind possible, the secrets that were meant to stay in the private files and crypts of the Roman Catholic Church, and the blind trust in those they perceived as God's messengers that left families with no faith and children with no innocence. After filming for a week and a half, the then defrocked priest mentioned he might need to move to Canada after this film comes public. Seeing the pain, corruption and missed opportunities to provide ministry to those in need was truly a tragic story to watch and the loss was more devastating than I ever imagined. It was so difficult to be so close to such a horror story that in the priest's words "never should have happened.".
British Indie music was once seen as the bastion of the over earnest 'High Fidelity' snob who would sneer at chart success. the indie label was the redoubt against the forces of mediocrity and was a precious source of integrity and honesty. A generation would find meaning in the music of The Smiths, the archetypal indie group of the 1980's. From the Stone Roses, the heir manque of the indie music crown, via Suede’s dark sexuality and the media saturation of Brit-pop's Blur v Oasis, indie was now a marketing device, ultimately losing any of it's once cherished intimacy and integrity
