On a spectacular journey through Renaissance Italy, Andrew Graham-Dixon searches for the shadowy figure who wrote one of the most important books on art and looks at some dazzling works, including masterpieces of the early Renaissance by Giotto, Masaccio and Donatello. Giorgio Vasari was the grandaddy of all art critics, travelling Italy in the 16th century for his definitive Lives of the Artists. It was a time of miracles that he named 'the Renaissance'.

Andrew Graham-Dixon retraces Vasari's footsteps for this captivating two-part film in a short Art of Italy season. He's an enthusiastic guide, lapsing easily into Italian conversation with the custodians of galleries and chapels who allow him a private view. From Brunelleschi's Duomo in Florence to less familiar marvels - a Donatello sculpture; Masaccio frescoes - he illustrates how rapidly ideas developed. A final treat for him - and us - is a tour of the Vasari Corridor, a rarely accessed gallery that zigzags across the Florentine rooftops.

After 400 BC, a new philosophy was born in South east Asia, generated from the ideas of Buddha, a mysterious Prince from India who gained enlightenment while he sat under a large, shapely fig tree. He remains one of the most legendary and influential of all religious progenitors, but what of his actual life? In this biographical documentary, director David Grubin tells the historical tale of Gautama Buddha (563-483 BC), from his initial enlightenment through his death around the age of 80. In the process, Grubin makes an unusual point: that Gautama never once claimed to be God or God's emissary, but instead sought to find a way to bring peace and alleviation from suffering to others in a cruel and often insane world. In telling this story, Grubin combines a number of elements including original animations, testimony by contemporary Buddhists such as the 14th Dalai Lama Tenzin Gyatso, glimpses of sculptures and paintings that help tell Gautama's story, and much more. Narrated by Richard Gere

Dr Nigel Spivey explores how art influences life by tracing the development of the image from cave paintings to our modern obsession with images. Dr. Spivey begins his investigation by travelling to the Cave of Altamira near the town of Santillana del Mar in Cantabria, Spain, where in 1879 a young girls exclamation of 'Papa, look, oxen!' to her father, local amateur archaeologist Marcelino Sanz de Sautuola, is explained to have meant that Maria had just become the first modern human to set eyes on the first gallery of prehistoric paintings ever to be discovered.

Dr Nigel Spivey shows how The political power of art was discovered by kings and emperors in the ancient world, It was these leaders who first used imagery to manipulate their subjects, And today our modern politicians are exploiting those same visual strategies, This is the story of how those ancient leaders created techniques of visual persuasion so powerful they've still got a hold on us today.

Every day of our lives, we are bombarded by thousands of different images, images which affect us in countless different ways. But of all these there's one particular kind of image whose power is uniquely mesmerising, because while it terrifies us somehow it also comforts. But although it can manipulate us, it also reassures, It's the image of death.