To fly like a bird, Earthflight not only captured remarkable images of wild flocks but also relied on some extraordinary relationships between people and birds. Filmed over four years, in six continents and more than 40 countries, the Earthflight team used many extraordinary techniques. For some of the unique flying shots, members of the team became part of the flock. The birds followed wherever they went - even in a microlight over Edinburgh and London. In Africa, paragliders floated alongside wild vultures, while a model vulture carried a camera inside the flock. In South America, wild-living macaws, that were rescued as babies, still come back to visit their 'foster mother' as he travels along a jungle river. In Africa, a radio-controlled 'drone' silently infiltrates masses of pink flamingos without disturbing a feather, and microlights and helicopters capture the dramatic moment white storks arrive over Istanbul. In Africa a tame vulture carried a camera across the African bush and recreated the behaviour of his wild relatives. Similarly, in the USA, a flock of hand-reared snow geese followed the migration route of wild flocks and took in the sights and sounds of New York - managing to get lost in Brooklyn

In the Taurus Mountains Simon stays with descendants of the original Turks, nomads known as Yoruks, whose lifestyle is under threat from the modern world and an increasingly religious government. They're not the only minority at odds with the authorities in Turkey; Simon sees first-hand the devastating effects of fighting in the country's Kurdish region. In an area where the government has detained foreign journalists, Simon gathers unique footage in the aftermath of a crackdown on Kurdish militants - the wholesale destruction of the historic centre of one of Turkey's oldest cities.
Away from the conflict in the south, Simon heads towards the Black Sea coast. He meets a wildlife conservationist protecting Turkey's population of brown bears, and villagers who still communicate over long distances using an ancient bird language. In the country's capital he meets a victim of President Erdogan's authoritarian purge of people accused of complicity in the failed coup against him.
Finally Simon's journey comes full circle when he returns to Istanbul - home to the new craze of 'Ottomania', a celebration of the vast empire that preceded modern Turkey. Simon visits the set of one of the world's most popular TV dramas - even getting a speaking role - based in the court of an Ottoman sultan

Vlad Dracula was somewhat successful in having the upper hand during the first five-hour fight in the night attack; however, Mehmed’s army won the battle because of their strength and numbers. Vlad could not kill Mehmed II and fled the scene. After the battle, Mehmed and his army enter Târgoviște which was abandoned by Vlad Dracula. But when he entered the city, Mehmed saw a horrific scene. Muslims were impaled by Vlad in Târgoviște, and there was a ‘forest of corpses.’ In history, this is considered a sad event for the Turks. The experts said that when Mehmed saw these impaled bodies, he immediately started praying. One of the dead bodies was of his father in law Hamza Bay.
Days before, Mara and Gülbahar foiled the Wallachian plot inside the sultan’s harem. Radu Dracula takes the throne in Wallachia on Mehmed II’s orders. Radu Dracula promises his loyalty to the sultan, and Mehmed gives 2,000 men to him. We see a restless king Mehmed II back in Istanbul, because he was not successful in killing Vlad Dracula. However, after 15 years, Vlad’s head is brought to Istanbul by one of Mehmed’s soldiers at the end of the last episode of the series.