Foo Fighters commemorate their 20th anniversary by documenting the eight-city recording odyssey that produced their latest, and eighth, studio album. Foo Fighters founder Dave Grohl directs the series, which taps into the musical heritage and cultural fabric of eight cities: Chicago, Austin, Nashville, Los Angeles, Seattle, New Orleans, Washington D.C. and New York. The band based themselves at a legendary recording studio integral to the unique history and character of each location. One song was recorded in each city, and every track features local legends. Even the lyrics were developed in an experimental, unprecedented way: Grohl held off on writing them until the last day of each session, letting himself be inspired by the experiences, interviews and personalities that became part of the process. Foo Fighters Sonic Highways is, in Grohl’s words, “a love letter to the history of American music.” Each episode delves into the identity of each city -- showing how each region shaped these musicians in their formative years and, in turn, how they impacted the cultural fabric of their hometowns. Every artist who appears in the show, regardless of genre or locale, started as an average kid with universal dreams of making music and making it big. Grohl made his feature film directorial debut in 2013 with the universally acclaimed Grammy-winning Sound City, a celebration of the human element in the creation and recording of music. Foo Fighters have won 11 Grammy Awards, including four for Best Rock Album, more than any other band. Premiering on the eve of Foo Fighters’ 20th anniversary, Foo Fighters Sonic Highways aims to “give back” to the next generation of young musicians. As guitarist and singer Buddy Guy, an interviewee from the Chicago blues scene, explains, “Everything comes from what’s come before.”
In the first episode, Dave Grohl and friends discuss the rise of the famous Chicago music scene from the roots blues of Muddy Waters and Buddy Guy to the Rock and roll of Cheap Trick.

In Los Angeles, a remarkable experiment is underway; the police are trying to predict crime, before it even happens. At the heart of the city of London, one trader believes that he has found the secret of making billions with math. In South Africa, astronomers are attempting to catalogue the entire cosmos. These very different worlds are united by one thing - an extraordinary explosion in data. Meet the people at the forefront of the data revolution, and reveals the possibilities and the promise of the age of big data.

In the 1960s and 1970s a generation of Mexican Americans, frustrated by persistent discrimination and poverty, find a new way forward, through social action and the building of a new "Chicano" identity. The movement is ignited when farm workers in the fields of California, led by Cesar Chavez and Dolores Huerta, march on Sacramento for equal pay and humane working conditions. Through plays, poetry and film, Luis Valdez and activist Corky Gonzalez create a new appreciation of the long history of Mexicans in the South West and the Mestizo roots of Mexican Americans. In Los Angeles, Sal Castro, a schoolteacher, leads the largest high school student walkout in American history, demanding that Chicano students be given the same educational opportunities as Anglos. In Texas, activists such as Jose Angel Gutierrez, create a new political party and change the rules of the electoral game. By the end of the 1970s Chicanos activism and identity have transformed what it means to be an American. Chicano and Latino studies are incorporated into school curriculum; Latinos are included in the political process.

The tour was designed by Willie Williams, who has worked on every U2 tour since 1982. Williams had been toying with ideas for 360-degree stadium staging for U2 for a number of years, and presented sketches of a four-legged design to the group near the end of their Vertigo Tour in 2006. The inspiration for the 'spaceship-on-four-legs' design, nicknamed 'the Claw', came from the landmark Theme Building at Los Angeles International Airport.

the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Directed by Alan Parker

Nancy Silverton describes her life path involving both Los Angeles and Italy, her family and her obsession with bread. She was born in Sherman Oaks, CA in a family where going out to eat was considered a special treat. But when she entered college and found herself 'very attracted by a handsome man' who worked in a kitchen, she landed herself a job and a new passion.
These details, which all lead up to her stint at Wolfgang Puck’s celebrated LA restaurant Spago in 1982, are intercut with present-day scenes of Silverton working at Osteria Mozza.