In 1982, the best of friends and still teenagers George Michael and Andrew Ridgeley as Wham! set out to conquer the world. By June of 1986, they played their very last gig at Wembley Stadium having done exactly that. Now, for the very first time, told in their own words, comes the amazing story of how in four years they dominated the charts around the world with timeless and classic pop songs. Hit after hit ‘Club Tropicana,’ ‘Wake Me Up Before You Go Go,’ ‘Freedom,’ ‘I'm Your Man’ and of course ‘Last Christmas.’
Their time in the spotlight was white-hot, and they became the very first Western pop act to play in China. It was a time that both encapsulated and epitomized not just their youth but also that of the many millions of fans that adored them.

For many animals, the instinct to move is overwhelming, despite the dangers. But for every trip that ends in tragedy, countless millions reach their destination. Allowing them to reap the rewards of better conditions and fresh opportunities. However, we have now changed the planet. Cutting off ancestral routes and impacting even the most remote corners of the globe. But there is hope. We know more about these journeys than ever before. And with our help, many animals are now overcoming the challenges of our modern world. For a healthy and connected planet, we must preserve the freedom to move.

The digital possibilities of social control in China have led to an unprecedented level of state surveillance. Through self-censorship or spying on neighbors, surveillance covers not only those perceived as a threat by the government, but increasingly and ever more totally the ordinary citizen: whether buying flowers, taking your child to school, or taking out the trash at night. Big Data and digital technologies are already being used as weapons to curtail freedoms. Step by step, the social and political behavior of the Chinese is changing.
The documentary explores, in intimate detail, digital social control in China by following the experiences of two families and a journalist. Film-maker Jialing Zhang gives an exclusive and previously impossible intimate insight into the interior of China and tells a deeply disturbing story of how the state uses technology to control its citizens as well as propaganda to convince its people to trust it. She tells a deeply disturbing story about technology, (self-) censorship and abuse of power.

In March 2022, the Russian army was closing in on the Ukrainian capital of Kyiv, and it was expected to fall in a short period of time. But in fact, many citizens chose to remain in their beloved city and provide resistance in whatever way they could. Despite daily missile attacks and the fear of an impending urban war, they were united in their efforts to protect their freedom and democracy. This documentary looks at the people of Kyiv through the eyes of a Ukrainian filmmaker.

The world knows Britney Spears: performer, artist, icon. But in the last few years, her name has been publicly tied to another, more mysterious term: conservatorship. Britney vs Spears tells the explosive story of Britney’s life and her public and private search for freedom. Featuring years-long investigative work, exclusive interviews and new documents, this featured film paints a thorough portrait of the pop star’s trajectory from girl next door to a woman trapped by fame and family and her own legal status.
Director Erin Lee Carr and journalist Jenny Eliscu work to delve deep into the tangled history of Britney's conservatorship and investigate her legal fight by way of exclusive interviews and confidential evidence.

The film explores the revolutionary gene-editing tech now giving humankind the freedom to redraw the blueprint of biological life itself. We investigate not only the tremendous potential the technology holds, whether in the fight to eliminate diseases or in transforming agriculture to adapt to unprecedented climate extremes, but also probe the inherent risks involved and the potential for widespread abuse, dangers that could take our future down a very dark, dystopian path.