In the second episode, Andrew Carnegie builds an empire around steel, but finds himself struggling to save face after the ruthless tactics of his business partner, Henry Frick, result in both the Johnstown Flood as well as the bloody 1892 strike at the Homestead Steel Works.

J.P. Morgan proceeds to banish the dark with the direct current electric light of Thomas Edison, but the two soon face serious competition from the alternating current of George Westinghouse and Nikola Tesla. As the 19th century comes to a close, the titans of industry must try to work together to stop a new threat in budding politician William Jennings Bryan, who threatens to dissolve monopolies in America.

Everyone has an opinion on bad cars. Now it's time to hear the ones that really count - ours. We're out to name and shame the most rubbish car from a manufacturer which, frankly, should have known better. And we have a special, surprise fate in store for the car we pick as our biggest loser. In this Top Gear special episode, Jeremy Clarkson and James May try to look for the worst car of all time and the criteria was that the car had to be 'terrible, but not cheap' and made by 'a manufacturer that should have known better'.

The film, directed by James Swirsky and Lisanne Pajot, looks at the underdogs of the video game industry, indie game developers, who sacrifice money, health and sanity to realize their lifelong dreams of sharing their creative visions with the world.
This Sundance award-winning film captures the tension and drama by focusing on these artists' vulnerability and obsessive quest to express themselves through a 21st-century art form.

Join Keanu Reeves on a tour of the past and the future of filmmaking. Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. The film investigates the history, process and workflow of both digital and photochemical film creation. We will explore it via in-depth interviews with directors, cinematographers, colorists, scientists, engineers and artists such as James Cameron, David Fincher, David Lynch, Martin Scorsese, Steven Soderbergh, and many more

Fifty years ago there were close to half-a-million lions in Africa. Today there are around 20,000. To make matters worse, lions, unlike elephants, which are far more numerous, have virtually no protection under government mandate or through international accords. This is the jumping-off point for a disturbing, well-researched and beautifully made cri de coeur from husband and wife team Dereck and Beverly Joubert, award-winning filmmakers from Botswana who have been Explorers-in-Residence at National Geographic for more than four years. Pointing to poaching as a primary threat while noting the lion's pride of place on the list for eco-tourists-an industry that brings in 200 billion dollars per year worldwide-the Jouberts build a solid case for both the moral duty we have to protect lions (as well as other threatened "big cats," tigers among them) and the economic sense such protection would make. And when one takes into account the fact that big cats are at the very top of the food chain-and that their elimination would wreak havoc on all species below them, causing a complete ecosystem collapse-the need takes on a supreme urgency.