This highly anticipated psychedelic docuseries showcases what these substances teaches people about consciousness, dying, addiction, depression and transcendence. Filmmaker Alex Gibney and best-selling author Michael Pollan present it in four parts, each focused on a different mind-altering substance: LSD, psilocybin, MDMA, and mescaline. With Pollan as our guide, we journey to the frontiers of the new psychedelic renaissance -- and look back at almost-forgotten historical context -- to explore the potential of these substances to heal and change minds as well as culture.
The first chapter is a great introduction to the topic of LSD, from its 1943 origins to today's microdosing trend, for those who don’t already know a lot about the subject, and a fun and entertaining refresher on LSD for even experts in the field. The show takes us on a journey through the history of the powerful compound, from its discovery and its early medical use, to secret CIA mind-control studies, the counterculture and its banning, and finally to our current renaissance. It includes amazing clips of LSD’s inventor Albert Hofmann and powerful personal testimonies of individuals who have healed their suffering through LSD.

A two-part documentary illuminating in sweeping scope and vast detail the rise, fall, and epic comeback of global icon Tiger Woods. Using Jeff Benedict and Armen Keteyian's best-selling book 'Tiger Woods' as a resource, the series is driven by never-before-seen footage and revealing interviews with those who know Tiger best.
Alex Gibney executive produces alongside filmmaker Matthew Heineman and Matthew Hamachek as directors of the film.

This series documents various stories about exposing the greed and crime spreading through the global economy. Filmmaker Alex Gibney tells stories of corporate corruption, securities fraud and creative accounting.
In the first episode, Gibney reveals shocking new details about Volkswagen's corporate deceit, and exposes the unholy alliance between governments and automakers that allowed the automaker to put tens of thousands of lives at risk - all for the sake of a $500 part.

Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all the way to the Vatican. The title is derived from the Latin phrase "mea maxima culpa". It is taken from the Confiteor that is part of the Roman Catholic Mass. It translates into English as "My most grievous fault" The film examines the abuse of power in the Catholic Church system through the story of four deaf men who set out to expose the priest who abused them during the mid-1960s. Each of the men brought forth the first known case of public protest against clerical sex abuse, which later lead to the sex scandal case known as the Lawrence Murphy case. Through their case the film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through Ireland's churches, all the way to the highest office of the Vatican.

A deconstruction of the Church of Scientology's claims through a combination of presenting a condensed history of Scientology and its founder, L. Ron Hubbard, how celebrities interact with the church, the stories of a number of ex-members, and the abuse and exploitation the ex-members described seeing and experiencing". The Church responded vehemently to the film, complaining to film critics about their reviews and denouncing the filmmakers and their interviewees. Directed by Alex Gibney, it is based on Lawrence Wright's book Going Clear: Scientology, Hollywood and the Prison of Belief (2013). Produced by HBO, the film premiered at the 2015 Sundance Film Festival

Directed by Alex Gibney, it follows the life and work of ex-Apple CEO Steve Jobs. Gibney starts the doc by showing how much people around the world worship Steve Jobs as if he were an idol. He then provides you with a wealth of background information about Jobs' childhood, teenage and college years including how he formed Apple Inc. Fortunately, not all of the doc is hagiography because Gibney does briefly delve into the darker side of Jobs, particularly how selfish he was and mistreated those around him including his ex-wife. Jobs comes across as a charming, intelligent narcissist who knows how to captivate an audience whenever he speaks. In other words, like all great narcissists, he's a very good actor. Gibney certainly knows how to choose the right subject because Jobs' complexity makes him all the more captivating and worthy of a feature-length film. As is usually the case with Gibney's docs, this one is slickly-edited and has just the right amount of comic relief, mostly in the brief video of an young boy joyfully lists all of Apple's technological devices that Steve Jobs created. You'll catch a glimpse of what makes Jobs fallible, and find a little mildly provocative food for thought about the advancement of modern technology, i.e. how technology helps to connect us to one another yet alienates us at the same time.