‘Retrograde’ offers a deeply intimate account of the end of Americas's longest war and humanizes the individuals most impacted through both US and Afghan perspectives. With a character-driven, cinema-verite approach, the film functions as an up-close record of a turning point in American and Afghan history while also providing an emotional reminder of the human costs of war.
‘Retrograde’ focuses in the relationship between American Green Berets and the Afghan officers they trained.

In 2001, Andrew Bagby, a medical resident, is murdered not long after breaking up with his girlfriend. Soon after, when she announces she's pregnant, one of Andrew's many close friends, Kurt Kuenne, begins this film, a gift to the child. Friends, relatives, and colleagues say warm and loving things about Andrew, home movies confirm his exuberance.
Andrew's parents, Kathleen and David, move to Newfoundland, Canada where the ex-girlfriend has gone. They await an arrest and trial of the murderer. They negotiate with the ex-girlfriend to visit their grandchild, Zachary, and they seek custody. Is there any justice; is Zachary a sweet and innocent consolation for the loss of their son?

From our amazing brain and its inspiring design for artificial neural networks to the hope of artificial general intelligence (AGI), this feature film covers the science of emulating the power of our own brains. Will such technology surpass our own intelligence? Will we reach the Technological Singularity? And what will this mean for humanity?
Toward Singularity takes a look at how neuroscience is inspiring the development of artificial intelligence. Our amazing brain, one of the most complicated systems we know about, is inspiring the development of intelligent machines. Machines that may well surpass our own intelligence and could birth a new species on the planet.

Phil Stutz is one of the world's leading psychiatrists. He's helped countless patients over 40 years, including world-class creatives and business leaders, and among them many therapy-skeptics. Directed by friend and patient Jonah Hill, the film explores Stutz's life and walks the viewer through his signature visualization exercises, ‘The Tools’. As Hill sits down with Stutz for an unorthodox session that flips their typical doctor-patient dynamic, they bring The Tools to life in a humorous, vulnerable and ultimately therapeutic experience.
Featuring candid discussion of both Stutz's and Hill's personal mental health journeys, alongside the lighthearted banter of two friends from different generations, the film beautifully frames The Tools and the journey toward mental health in a manner that's accessible to anyone whether or not they are actively seeking help.

For more than 90 years, Abbey Road Studios has been at the heart of the music industry. In this personal film of memory and discovery, Mary McCartney guides us through nine decades to see and experience the creative magic that makes it the most famous and longest-running studio in the world. From classical to pop, film scores to hip-hop, ‘If These Walls Could Sing’ explores the breadth, diversity and ingenuity of Abbey Road Studios.
The doc marks the first time Abbey Road has opened its doors to a feature doc, and will be the centrepiece of the legendary studio’s 90th anniversary celebrations. Billed as the untold story of the studio, the film will feature an all-star cast of interviews, and intimate access to the premises.

Vlad Dracula was somewhat successful in having the upper hand during the first five-hour fight in the night attack; however, Mehmed’s army won the battle because of their strength and numbers. Vlad could not kill Mehmed II and fled the scene. After the battle, Mehmed and his army enter Târgoviște which was abandoned by Vlad Dracula. But when he entered the city, Mehmed saw a horrific scene. Muslims were impaled by Vlad in Târgoviște, and there was a ‘forest of corpses.’ In history, this is considered a sad event for the Turks. The experts said that when Mehmed saw these impaled bodies, he immediately started praying. One of the dead bodies was of his father in law Hamza Bay.
Days before, Mara and Gülbahar foiled the Wallachian plot inside the sultan’s harem. Radu Dracula takes the throne in Wallachia on Mehmed II’s orders. Radu Dracula promises his loyalty to the sultan, and Mehmed gives 2,000 men to him. We see a restless king Mehmed II back in Istanbul, because he was not successful in killing Vlad Dracula. However, after 15 years, Vlad’s head is brought to Istanbul by one of Mehmed’s soldiers at the end of the last episode of the series.