A stunning documentary about the escalating global nuclear arms crisis, Countdown to Zero is a fascinating and frightening exploration of the dangers of nuclear weapons, exposing a variety of present day threats and featuring insights from a host of international statesmen and experts. Among the voices are President Jimmy Carter, Mikhail Gorbachev, Pervez Musharraf, Tony Blair, former CIA Operations Officer Valerie Plame Wilson, the Ploughshares Fund’s Joe Cirincione and Stanford political scientist Scott Sagan. traces the history of the atomic bomb from its origins to the present state of global affairs: nine nations possessing nuclear weapons capabilities and others racing to join them, with the world held in a delicate balance that could be shattered by an act of terrorism, failed diplomacy, or a simple accident. It makes a compelling case for worldwide nuclear disarmament, an issue more topical than ever with President Obama and other world leaders working to revive this goal today. Written and directed by Lucy Walker, Countdown to Zero was screened for attendees of this year’s Global Zero International Conference in Paris and the TED Conference in Long Beach, California.

Annalisa Piras and former editor of The Economist Bill Emmott, which explores the crisis facing Europe. Through case studies of citizens in different countries, the film explores a range of factors that have led to the present crisis, economic and identity challenges across Europe. High-level experts analyse how and why things are going so wrong. The film includes fictional scenes, set in a post-EU future, which feature archaeologist Charles Granda (played by Angus Deayton) travelling on a flight through a menacing storm, explaining to a child passenger what the EU was. Sombre, thought-provoking and witty, the film frames Europe through the eyes of those who have most at stake - the Europeans themselves.

The self-proclaimed 'Islamic State' is a jihadi militia active in the north and east of Syria, and in the west of Iraq, which has shocked the world with its cinematic staging of horrific acts of violence and its unexpected advances towards statehood. But why could IS expand so rapidly?

The documentary is about the effect of fossil fuels on issues such as global warming, the environmental crisis, society and the questionable practices of oil companies. It examines the interconnection of human domination of the planet and the use of petroleum, and offers solutions for how we can stop our progression down this destructive path. Written and directed by James Jandak Wood. The film has several awards and nominations

In August 2014, ISIS militants raided a Yazidi village in Syria, kidnapping thousands of men, women and children. Hundreds of the kidnapped men were killed or forced to convert to Islam; the women and children were sold as sex slaves or to marry ISIS fighters. Many were raped or became victims of other forms of sexual violence. Escaping ISIS depicts 34 of those captured by militants last year — mostly women and young children — reuniting with their families as they escape to freedom". Some victims were brought to freedom through underground networks, guides inside ISIS and resistance fighters. Women contacted the resistance fighters, begging for rescue; some said the alternative is committing suicide. Many escapees walk for several days with little food and water, often barefoot, risking getting recaptured and killed. One resistance fighter was shot in the back of the head in ISIS territory after they found out that he was working against them. The documentary shows parts of this treacherous journey to freedom.

Born in Groot-Zundert, The Netherlands, Van Gogh spent his early life as an art dealer, teacher and preacher in England, Holland and Belgium. His period as an artist began in 1881 when he chose to study art in Brussels, starting with watercolours and moving quickly on to oils. The French countryside was a major influence on his life and his early work was dominated by sombre, earthy colours depicting peasant workers, the most famous of which is The Potato Eaters, 1885. It was during Van Gogh's studies in Paris (1886-8) that he developed the individual style of brushwork and use of colour that made his name. In 1888 he moved to Arles where the Provençal landscape provided his best-known subject matter. However, it also marked the start of his mental crisis following an argument with his contemporary Paul Gauguin. Van Gogh was committed to a mental asylum in 1889 where he continued to paint, but he committed suicide in 1890.