The film exposes the dark world of ivory trafficking. Ivory is a prized status symbol for middle class Chinese, and poachers in pursuit of elephants in Africa are causing a great damage. Award-winning director Richard Ladkani and Kief Davidson filmed undercover for 16 months infiltrating and documenting the deep-rooted corruption at the heart of the global ivory trafficking crisis.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

The film examines the profound claim that most, if not all, of the degenerative diseases that afflict us can be controlled, or even reversed, by rejecting our present menu of animal-based and processed foods.
Despite the most advanced medical technology in the world, we are sicker than ever by nearly every measure. Cases of diabetes are exploding, especially amongst our younger population. About half of us are taking at least one prescription drug and major medical operations have become routine. Heart disease, cancer and stroke are the country's three leading causes of death, even though billions are spent each year to 'battle' these very conditions. Millions suffer from a host of other degenerative diseases. Could it be there's a single solution to all of these problems?

This documentary chronicles the triumphs and hurdles of brothers Barry, Maurice and Robin Gibb, otherwise known as the Bee Gees. The iconic trio, who found early fame in the 1960s, went on to write over 1,000 songs, including twenty #1 hits throughout their storied career.
The film follows the Bee Gee’s meteoric rise as they rode the highs of fame and fortune, negotiated the vagaries of the ever-shifting music business and navigated the complexities of working so intimately alongside family. The story takes us from their childhood in 1950s Australia to the artistic crucible of 1960s London and to the sundrenched coast of Miami, Florida. The band created a distinct sound with their three-part harmonizing, their melodic voices forming a new kind of instrument.

Ewan McGregor and Charley Bormann are very close to finishing their journey. Discussions on security are still on the agenda; they cannot travel at night due to dangerous cartels. They will need to do many miles on a bus with space for the bikes inside. The team manage to get the bikes on after concerns they wouldn’t fit. Repairing and conditioning the bus is an achievement considering they did it in a few days.
Ewan and Charley get back on their bikes, and they head to their last border cross to enter the United States. After 12 hours in the border, the crew, Ewan and Charley make it to America. It’s an easy stretch to L.A. on their bikes. Ewan, the crew and family, finish the last leg. It’s done, they’ve managed to finish Long Way Up. It’s such an achievement. Episode 11 is a heartfelt finale, showcasing the end of an incredible journey from both Ewan, Charley, and the team that supported them.

Experience the evolving genius of rock icon David Bowie in this documentary that chronicles the last five years of his life.
The film features never-before-seen footage of Bowie as well as conversations with the musicians, producers, and music video directors who worked with him on his final tour back in the early 2000s (when he had a heart attack that compelled him to turn away from live performances); the Man Who Fell to Earth–inspired musical Lazarus; and his final two albums, 2013’s The Next Day and Blackstar, which was released two days before Bowie died of cancer.