The film, directed by James Swirsky and Lisanne Pajot, looks at the underdogs of the video game industry, indie game developers, who sacrifice money, health and sanity to realize their lifelong dreams of sharing their creative visions with the world.
This Sundance award-winning film captures the tension and drama by focusing on these artists' vulnerability and obsessive quest to express themselves through a 21st-century art form.

Professor Jim Al-Khalili looks at how we have created machines that can simulate, augment, and even outperform the human mind - and why we shouldn't let this spook us. He reveals the story of the pursuit of AI, the emergence of machine learning and the recent breakthroughs brought about by artificial neural networks. He shows how AI is not only changing our world but also challenging our very ideas of intelligence and consciousness.
Along the way, we'll investigate spam filters, meet a cutting-edge chatbot, look at why a few altered pixels makes a computer think it's looking at a trombone rather than a dog and talk to Demis Hassabis, who heads DeepMind and whose stated mission is to 'solve intelligence, and then use that to solve everything else'. Stephen Hawking remarked 'AI could be the biggest event in the history of our civilisation. Or the worst'. Jim argues that AI is a potent new tool that should enhance our lives, not replace us.

To our medieval forebears the world could appear mysterious, even enchanted. Sightings of green men, dog heads and alien beings were commonplace. The world itself was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited.

The Sundarbans mangrove forest, in Bangladesh near the Indian border, is a tidal jungle where Ganges and Brahmaputra enter the Indian Ocean. Its has some 400 Bengal tigers - the largest population in the world, and the only to be hardly scared of men. The downside is tigers kill up the 50 Bangladeshis a year, even from neighbouring villages, so keeping them inside the reserve is key to long-term survival.
A recent project tries to train local mongrels, not pets but fiercely self-reliant dogs, to spot and even scare off tigers from villages. An individual tiger can turn into a man-eater in order to survive - this process may occur due to an injury or old age (and so cannot hunt agile prey) or even accidentally tasting human flesh.

We call them 'man’s best friend', but their story is almost as old as man himself. Our very first friend in the world, they have walked by our side for over 20,000 years, helping us to hunt for food and offering us companionship and protection. Man’s First Friend is an epic new primetime documentary event that combines natural history, science and anthropology to explore the enduring relationship between humankind and dogs, how the two species have co-evolved together, where did they come from to take such a prominent position in our lives, and how did we learn to harness their unique talents.
The film takes viewers on an extraordinary journey through some of the most remote locations in the world to answers these questions and more. It highlights what dogs are capable of: from the Pariah dog in India who protects her owner’s banana plantations from daily attacks by Black-headed Monkeys; to Kenyan Bloodhounds trained to track ivory poachers. Dogs comfort us, relieving loneliness and helping us cope with old age.

Laurie Anderson embarks on a cinematic journey through love, death and language. Cantering on Anderson's beloved rat terrier Lolabelle, who died in 2011, the film is a personal essay that weaves together childhood memories, video diaries, philosophical musings on data collection, surveillance culture and the Buddhist conception of the afterlife, and heartfelt tributes to the artists, writers, musicians and thinkers who inspire her. Fusing her own witty, inquisitive narration with original violin compositions, hand-drawn animation, 8mm home movies and artwork culled from exhibitions past and present, Anderson creates a hypnotic, collage-like visual language out of the raw materials of her life and art, examining how stories are constructed and told - and how we use them to make sense of our lives.