Ripped from international headlines, The Hacker Wars takes you to the front lines of the high-stakes battle over the fate of the Internet, freedom and privacy". Get ready to be shuttled between story lines at lightning speed mirroring the disjointed lives of the protagonists and life on the Internet. The Hacker Wars- a film about the targeting of (h)ac(k)tivists and journalists by the US government. Hacktivists are either terrorists or freedom fighters depending on ones perspective on who should control information. Meet weev, infamous hacker; Barrett Brown, journalist and propagandist for the hacktivist collective, Anonymous; and Jeremy Hammond, aka Anarchaos, number one on the FBI's cyber-criminal list. The fourth character is Sabu, the uber-hacker turned FBI informant who ran the FBI's cyber unit for 9 months and is responsible for many arrests. He is the shadowy protagonist in a high-stakes game of espionage and betrayal in the age of the Internet. Barrett Brown, American journalist, is facing 105 years in prison for publicizing information revealed through Jeremy Hammond's epic hacks. Hammond himself has just begun a 10-year prison term. Andrew Auernheimer, known by his hacker handle weev embarrasses large corporations. He was sentenced to 41 months for hacking AT&T, but his conviction was just overturned. He vows to continue doing what landed him in prison in the first place. These hacktivists are the rock stars of the Internetmodern-day folk heroes. Glenn Greenwald (Snowdon Leaks), Pulitzer Prize-winning journalist and others explain why these anti-heroes exposing the security surveillance state are essential to a functioning democracy.
Atheist and scientist Richard Dawkins visits England, America and Israel interveiwing prominant people of faith; Islamic, Hasidic Jews, and the new Christian sects popping up throughout the world, and expressing his view of the extent to which this fanaticism has degraded our civilisation, and will continue to degrade it. "The God Delusion" explores the unproven beliefs that are treated as factual by many religions and the extremes to which some followers have taken them. Dawkins opens the programme by describing the "would-be murderers ... who want to kill you and me, and themselves, because they're motivated by what they think is the highest ideal." Dawkins argues that "the process of non-thinking called faith" is not a way of understanding the world, but instead stands in fundamental opposition to modern science and the scientific method, and is divisive and dangerous.
The documentary 'The Knowledge of Healing' is an illuminating examination of Tibetan medicine, a practice which has developed over two millennia into a modern day successful method of healing that rivals western medical practices. Unlike Western medicine, based on biochemistry, Tibetan medical thinking (which is strongly rooted in Buddhist principles) views the human body as governed by an elaborately organized system of energies flowing through a network of channels. In the 12th century, the Gyüshi (Knowledge of Healing) was created, a text codifying this intricate system. The medications used comprise herbs, roots, minerals, etc. After flourishing for centuries, most Tibetan medical schools were destroyed by the Chinese in the 1950's and 1960's, and many physicians were executed. Speaking from exile, the Dalai Lama argues for the value of Tibetan medicine, while his personal physician Dr. Tenzin Choedrak describes the principles behind it. We follow physicians in India and Siberia treating patients for a variety of ailments from paralysis to heart disease, and meet researchers in Israel and Switzerland to see how western clinical studies are testing the effectiveness of Tibetan medicine.
Many movies lend themselves to dramatic interpretations, but none are as rich and far ranging as Stanley Kubrick's The Shining. In LA filmmaker Rodney Ascher's ROOM 237, we hear from people who have developed far-reaching theories and believe they have decoded the hidden symbols and messages buried in the late director's film. Carefully examining The Shining inside out, and forwards and backwards, and backwards and forwards, ROOM 237 as captivating, provocative as it is pure pleasure". It gives voice to the fans and scholars who espouse these theories, reworking the film to match their ideas and intercutting it with layers of dreamlike imagery to illustrate their streams of consciousness. Sometimes outrageous, always engaging, the words of those who were interviewed are given full force by Ascher's compelling vision. Also featured at the 2012 Sundance, Cannes and Toronto film festivals.
