Laurent Ballesta has yet again challenged himself to a new world record: spend 28 days at a depth of 100 meters to reveal the luxuriant and unknown depths of the Mediterranean. Because people have been travelling there for thousands of years, this sea is believed to be without secrets. And yet, far below its surface, lie vast unexplored territories, luxurious gardens worthy of the finest tropical coral reefs. These natural wonders are inaccessible to the traditional diver, in a twilight zone, between 60 and 120 m, where there’s less than 1% of sunlight. If diving at such depths is always a challenge, staying there is a fantasy, a utopia that becomes reality in 'The Deep Med'.
A documentary about the highs and lows of children in show business, featuring interviews and examinations of the lives and careers of the most famous former child actors in the world. The film opens with a montage spotlighting most of those people, along with others who had better luck (like Ron Howard, Jodie Foster, and Daniel Radcliffe), finally landing on a photograph of the documentary’s director, Alex Winter, who was a child actor on and off Broadway. The reality of child stardom is that an essential unreality is baked into it. That‘s why it’s so often about the wheels coming off at high speeds. Child stardom now feels like one of the last aspirations of a decadent, no-future America. And 'Showbiz Kids' is an invaluable primer of its risks and rewards.
Astronomers are giving us astonishing news, visual proof of the reality of black holes. Stunning new findings are overturning conventional theories. The most common vision of black holes is that they are monstrous and mysterious bodies swallowing everything around them. However, the latest discoveries are drawing a link between black holes and the existence of life. A startling new picture is emerging. The existence of black holes is what made life on Earth possible.
We inhabit a cosmos of undiscovered dimensions and paradoxical realities. We live on one level of perception, but there are others. Every once in a while, a searcher happens upon the doorway to one of these other levels. One of them discovered a paradox about reality that proved to be so profound, we have yet to understand how it could be possible. The universe, or perhaps we should say, universes have never been the same. In the counterintuitive realm of quantum mechanics, light can be two contradictory things, and somehow - no one knows how - an unseen observer can alter the nature of reality. The man who stumbled on this hole in reality and the still- unfolding technological revolution that it made possible.
A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into Cameraperson, a tapestry of footage collected over the twenty-five-year career of documentary cinematographer Kirsten Johnson. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative. A hybrid work that combines documentary, autobiography, and ethical inquiry, Cameraperson is both a moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.
The film takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, the Slovenian philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Zizek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves. The Pervert's Guide To Cinema offers an introduction into some of Zizek's most exciting ideas on fantasy, reality, sexuality, subjectivity, desire, materiality and cinematic form. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. The film applies Zizek's ideas to the cinematic canon, in what The Times calls 'an extraordinary reassessment of cinema.'
Because people have been travelling there for thousands of years, this sea is believed to be without secrets. And yet, far below its surface, lie vast unexplored territories, luxurious gardens worthy of the finest tropical coral reefs. These natural wonders are inaccessible to the traditional diver, in a twilight zone, between 60 and 120 m, where there’s less than 1% of sunlight. If diving at such depths is always a challenge, staying there is a fantasy, a utopia that becomes reality in 'The Deep Med'.