This three-day music festival was promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults. The film documents the notorious music festival like an unravelling horror film to visceral effect, presenting a flashpoint in cultural nadir while suggesting that it was also a sign of troubles to come.

Six midwestern men all survivors of childhood sexual assault at the hands of Catholic priests and clergy come together to direct a drama therapy-inspired experiment designed to collectively work through their trauma. As part of a radically collaborative filmmaking process, they create fictional scenes based on memories, dreams and experiences, meant to explore the church rituals, culture and hierarchies that enabled silence around their abuse. In the face of a failed legal system, we watch these men reclaim the spaces that allowed their assault, revealing the possibility for catharsis and redemption through a new-found fraternity.

The message of the group begins to change and losing identity and group mentality is pushed. With more lockdowns and rules, longtime members of the group begin to question or leave. With no sex permitted with members, Dick Joslyn’s membership in the cult poses problem for Do... leading to a new request for the group.
With dwindling numbers, the group needs a new boost of membership. The Exit begins to be discussed as the Hale-Bopp Comet approaches.

Jean Hargadon Wehner discusses how she came to remember years later the sexual abuse she suffered at Archbishop Keough High School. She also talks about what happened when she reported the abuse to Church officials and how she realized she was connected to the death of Sister Cathy Cesnik.
As the can of worms is opened on the hidden world in the high school and the people begin to talk about what happened behind closed doors. With the Jean’s accusations, Abbie Schaub, Gemma Hoskins, and Tom Nugent learn about a story of a graveyard and a source nicknamed 'Deep Throat' who could hold the key.

Former students of Archbishop Keough High School reveal allegations of sexual abuse by Father Joseph Maskell, the chaplain of the school. It details the personal story of 'Jane Doe' (Jean Hargadon Wehner) who claims that Father Maskell took her to see the dead body of Sister Catherine Cesnik in Lansdowne, Maryland.

Sir David Attenborough chooses his favorite recordings from the natural world --from the song of the largest lemur to the song of the humpback whale to the song of the lyrebird-- that have revolutionized our understanding of song. The science of song had been transformed by Charles Darwin’s theory of sexual selection: singing is dangerous as it reveals the singer’s location to predators, but it also offers the male a huge reward, the chance to attract a female and pass on genes to the next generation. Today, new science in the field of birdsong is transforming those long-held ideas.
Scientists are discovering that, in fact, in the majority of all songbird species, females sing - and it is only now they are being properly heard. Through this revelation and others, we can understand that animal songs are marvellous examples of the spectacular survival strategies that species have developed.