After two weeks of chasing Vlad Dracula across Wallachia, Mehmed the Conqueror and his exhausted Ottoman army camp on the outskirts of Târgovişte. Their attack on the capital is imminent. But the man known to the Ottomans as the ‘Impaler Lord’ has turned the surrounding countryside into a chamber of horrors. Raiding during the night, sentries disappearing from the Ottoman camp, being taken outside and being murdered by Wallachian raiders. An exhausting day of marching followed by a night full of terrors, but yet still, Mehmed begins to close on his prey.
Mehmed prepares to strike a fatal blow to Vlad's army. A spy is found in Mehmed's camp. Vlad Dracula planned to kill Mehmed II in his tent in a very famous historical event called the ‘Night Attack.’ Vlad ambushed the Ottoman camp with his army in a surprise night attack. His plan was to confuse the Ottoman army by using their uniform so that they could not distinguish between the Turks and the people of Wallachia, but a surprise awaits.

Previously on the first season on ‘Rise of Empires: Ottoman,’ Sultan Mehmed II won the battle for the conquest of the great city of Constantinople. Eight years after, Mehmed enjoys the might of his rule over the Ottoman Empire and holds the most significant reputation around his name in the world around. His eyes now glare at the west, with ambitions to seize control over all of Europe. However, there’s a lint in his eyes in the form of Vlad Dracula, the Voivode of Wallachia — a vassal state under the Ottoman Empire. The second season retells the Mehmed vs. Vlad throw down where the two historical figures lay it all out against each other in a fierce battle for the ages.
In the first episode, Vlad along with his brother Radu were left with Mehmed I by their father, as a guarantee that he would not betray the Sultan and help the Hungarians — something he was strongly suspected of. Over time, Vlad went on to get coronated for the throne of Wallachia and his characteristic hotheadedness and arrogance, as well as resentment against the Sultan and the empire, drove him to be unruly. As the threat of his rebellion became the largest it had ever been, Mehmet prepares for battle and moved with his mighty war machine of an army to defeat him.

In this revealing documentary, Giancarlo Granda, former pool attendant at the Fontainebleau Hotel, shares the intimate details of his 7-year relationship with a charming older woman, Becki Falwell, and her husband, the Evangelical Trump stalwart Jerry Falwell Jr. Directed by Billy Corben, the film outlines Granda's entanglement with the Falwell's seemingly perfect lives and the overarching influence this affair had on a presidential election.
The life of Jerry Falwell — the late Moral Majority televangelist who for decades helped catalyze the rightward shift of American evangelicals before his death in 2007 — is a quintessentially American story. But it’s in the next generation that the Falwell narrative becomes at once soap opera and morality tale. The film covers the graceless fall of Jerry Falwell Jr., who after the death of his father was placed in the presidency of the family’s conservative organ Liberty University. There, he seemed to remain painfully in thrall to his appetites. We hear testimony about his alleged tendency to drink on the job and discomfiting, slurry interviews between him and sympathetic media — but most crucially, we receive the testimony of Giancarlo Granda.
Granda was a pool attendant at a Miami hotel when he met Falwell and his wife, Becki, in 2012. Today, he alleges that he was persuaded to have sex with Becki while Falwell watched, and that the pair engaged in an ongoing campaign of communication with him that could be described as coercive. His energies were consumed with managing their tempers and occasionally threatening behavior, and he blames the swirl of scandal around them for derailing his professional future. Plainspoken and only occasionally visibly emotional, Granda is his own best advocate as he describes a couple who, he says, craved his body and were willing to discard the rest of him.

Experts explore the elusive endeavor of determining the age of the cosmos. Understanding the age of the universe is fundamental to understanding the universe at all. It's at the heart of everything. We want to know how much mass is in it, how much energy is in it, how it behaves. We have to have this number nailed down. The age of the universe enables us to not only understand where we came from, but potentially, the fate of the universe, what will happen millions and billions of years from now.
The idea that the universe grew from a ball smaller than a pinhead is hard to understand, but figuring out when it happened sounds like it should be more straightforward. But it turns out, getting the age of the universe is pretty tricky.

Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.

To recruit actors for his rehearsals, Nathan opens an acting studio in Los Angeles, teaching 'the Fielder Method', which involves covertly observing and imitating unaware subjects. Feeling insecure about his own performance, Nathan reenacts the class with actors and a fake Nathan as the teacher while the real Nathan plays the role of Thomas, a student. Nathan makes his students immerse themselves in other people's lives while he immerses himself in Thomas's life, even living in Thomas's home.
Nathan returns to Oregon, where his 'son', Adam, is now a teenager. Nathan and Joshua, the actor playing Adam, decide that Adam should lash out due to resentment of his absentee father and develop a drug problem, a situation that mirrors Angela's own past. Adam suffers an overdose and is tended to by emergency responders played by Thomas and another Fielder Method graduate. After he runs away from home, the 15-year-old Adam reverts to a 6-year-old since Nathan plans to relive his son's earlier years.