Professor Simon Schaffer presents the amazing and untold story of automata - extraordinary clockwork machines designed hundreds of years ago to mimic and recreate life. The film brings the past to life in vivid detail as we see how and why these masterpieces were built. Travelling around Europe, Simon uncovers the history of these machines and shows us some of the most spectacular examples, from an entire working automaton city to a small boy who can be programmed to write and even a device that can play chess". All the machines Simon visits show a level of technical sophistication and ambition that still amazes today. As well as the automata, Simon explains in great detail the world in which they were made - the hardship of the workers who built them, their role in global trade and the industrial revolution and the eccentric designers who dreamt them up. Finally, Simon reveals that to us that these long-forgotten marriages of art and engineering are actually the ancestors of many of our most loved modern technologies, from recorded music to the cinema and much of the digital world.

In 1971, four university students got together to form a band. Since then, that certain band called Queen has released 26 albums and sold over 300 million records worldwide. The popularity of Freddie Mercury, Brian May, Roger Taylor and John Deacon is stronger than ever. Their story is a remarkable one, a narrative that covers early struggles, huge obstacles, success, arguments, breakups, triumph, tragedy and an enduring legacy - all against a backdrop of brilliant music and stunning live performances from every corner of the globe. In this film, for the first time, it is the band that tells their story. Guiding us through an extensive archive full of hitherto unseen footage, the documentary reveals how four strong-minded individuals, all capable of writing massive hit songs, worked together so successfully for four decades. Queen never did anything by halves - meaning their highs were massive, but their lows catastrophic. It is a compelling story told with intelligence, wit, plenty of humour and painful honesty.

Beginning in 1997 with a few thousand revelers in Los Angeles, the Electric Daisy Carnival has become the largest dance music event in North America. Known for its over the top displays of pyrotechnics, world-class artists, costumed theatrical performers, interactive art installations, full scale carnival rides and state-of-the-art lighting and sound production, 2013's festival attracted 345,000 attendees from June 21-23". The film will follow festivalgoers as they prepare for their journey to EDC Las Vegas and chronicle their unique experience throughout the three-day festival. Behind the scenes footage and interviews with key Insomniac team members will give new audiences the chance to discover what has made the Electric Daisy Carnival a global phenomenon.

Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century.

It tells the story of FIFA World Cup of 1950, highlighting (but also showing other nations) the path of the two teams who played the final match: Uruguay and Brazil. The high quality of the footage is amazing, the text is smart and humorous, the music has been very well chosen in order to represent both the emotions involved in each moment and the contrast between the calmness of Uruguayan preparation and the crowded days of Brazilian team." The whole story shows not only one side. While Uruguayan team acquired confidence after an initial mistrust, Brazil was by far the best team in the competition but was heavily influenced by the environment in Brazilian society, the influence of politics and the pressure of the fans. While Uruguay overcame heroically all the constraints and, led by Obdulio Varela, won a title that few people believed, Brazilians got shocked because they considered themselves champions even before the final match, and their players became stigmatized until nowadays, not being celebrated as the fantastic team they were.