In Southeast Alaska, there's an ice-bound Eden that harbors possibly the richest temperate rainforests of all. Where the coastal mountains meet the Pacific, lays the Alexander Archipelago, a remote island chain running for almost 300 miles along the Alaskan Panhandle. This frozen frontier is one of the last great wildernesses of North America. And a stronghold for the country's highest diversity of megafauna, feasting on the abundance of fleeting summers to make it through relentless winters.

600 miles off the coast of South America in the Pacific Ocean there are 120 tropical islands that erupted from the deep ocean floor more than 10 million years ago. Journey from the lava ramparts to its fiery heart, we'll discover how the Galapagos archipelago became one of the most important areas of biodiversity in the world.
Those swept here by storms and currents survived million to one odds to find untouched islands free from competition. These hardy pioneers evolved in remarkable ways in what's known as Nature's Greatest Experiment. Home to bizarre specialists and unexpected giants, the most precious collection of island creatures on Earth.

In an adventure of giant proportions, The film reveals the astonishing lives of the smallest of animals. Using the incredibly immersive power of specialist 3D cameras, audiences will be transported in a very intimate way into another world and experience the titanic battles these creatures face to survive.

Sir David Attenborough returns to the Galápagos Islands and travels throughout the archipelago to explain their origins and their unique fauna in evolutionary terms. He has captured a new species of pink iguana on film for the first time. In the first episode, the islands of the Galapagos rose explosively from the ocean four million years ago. Although life would not seem viable in such a remote Pacific outpost, the first arrivals landed as the fires still burned. David Attenborough explores the islands for the animals and plants that descend from these pioneers: from the sea birds carrying the seeds that made a tentative foothold on these rocks, to equator-dwelling penguins and a dancing bird with blue feet. This is a story of treacherous journeys, life-forms that forged unlikely companionships, and surviving against all odds. It is the story of an evolutionary melting pot in which anything and everything is possible.

Technology is evolving from an external tool we wield when needed to an always-there presence that is with us, on us, even inside of us. As we become more and more wired, are we becoming digital devices ourselves? In this episode meet a Swedish mom who implanted an RFID chip as a lifestyle choice; a filmmaker who lost his eye in a gun accident and replaced it with a camera; and the so-called "world most connected man," who uses between 300-700 tracking and life logging systems to monitor every aspect of his life.

Painted over five centuries ago, Filippo Lippi's nativity is like none other: it shows the birth of Christ in a dark, wooded wilderness. There are no shepherds, kings, ox, ass – there is no Joseph. Its beauty inspired Michelangelo, Leonardo da Vinci and Botticelli. But it also conceals a deeply personal story. It was painted for Cosimo de Medici, a wealthy banker who feared that his money was dragging him straight to hell. The artist's life was equally surprising. One of the most celebrated painters of his day, Filippo Lippi was also a Carmelite friar, but he was no stranger to the temptations of the flesh, to which he frequently yielded. Shortly before painting his Adoration, he caused uproar by seducing a twenty year-old nun. His paintings rejoice not only in divine beauty, but in the beauty of women. In later times, the Adoration's history was interwoven with that of rulers and dictators. It became a bargaining chip after Napoleon's allies seized twenty merchant ships. And in the 20th century, it was hidden by the Nazis in a potassium mine, where specialist american officers, known as Monuments Men, stumbled upon it. they were now told to get it ready to be shipped out. In an unprecedented turn of events they refused. This is the only known case in the whole of the Second World War of American officers refusing an order. It was sent to the National Gallery of Art, but in 1949 Lippi's Adoration was returned to Germany.