To show what the USA can learn from rest of the world, director Michael Moore playfully visits various nations in Europe and Africa as a one-man "invader" to take their ideas and practices for America. Whether it is Italy with its generous vacation time allotments, France with its gourmet school lunches, German with its industrial policy, Norway and its prison system, Tunisia and its strongly progressive women's policy and Iceland and its strong female presence in government and business among others, Michael Moore discovers there is much that American should emulate

The title of Ava DuVernay's extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads 'Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.' The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis.

On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years. The world's most celebrated football genius and the most dysfunctional city in Europe were a perfect match for each other. Maradona was blessed on the field but cursed off it; the charismatic Argentine, quickly led Naples to their first-ever title. It was the stuff of dreams. But there was a price... Diego could do as he pleased whilst performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
The film is constructed from over 500 hours of never-before-seen footage from Maradona's personal archive and is a high-end and definitive feature documentary made with the full support of Maradona. In a city where the devil would have needed bodyguards, Maradona became bigger than God himself. This is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.

A deconstruction of the Church of Scientology's claims through a combination of presenting a condensed history of Scientology and its founder, L. Ron Hubbard, how celebrities interact with the church, the stories of a number of ex-members, and the abuse and exploitation the ex-members described seeing and experiencing". The Church responded vehemently to the film, complaining to film critics about their reviews and denouncing the filmmakers and their interviewees. Directed by Alex Gibney, it is based on Lawrence Wright's book Going Clear: Scientology, Hollywood and the Prison of Belief (2013). Produced by HBO, the film premiered at the 2015 Sundance Film Festival

This featured documentary series reveals long-buried information discovered during the filmmakers' seven-year investigation of a series of unsolved crimes, and the man suspected of being at its center – Robert Durst, scion of New York’s billionaire Durst family – and was made with his full cooperation. 'The Jinx' expose police files, key witnesses, never-before-seen footage, private prison recordings, and thousands of pages of formerly hidden documents. Directed and produced by Andrew Jarecki and produced and shot by Marc Smerling.

American paleontologist Pete Larson and his team discovered the largest and most complete Tyrannosaurus rex ever found (nicknamed 'Sue') while digging in the badlands of South Dakota. However the skeleton was seized from Larson by the federal government, followed by a ten-year-long battle with the FBI, the National Park Service, the Bureau of Indian Affairs, and Maurice Williams, on whose property the bones were discovered. Pete Larson also spent 18 months in prison." After the film aired, The Society of Vertebrate Paleontology, a society of professional academic paleontologists, issued a statement of full support for legally protecting fossils on public land and criticized Dinosaur 13 for implying that government regulations impede paleontological science