the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Directed by Alan Parker
West Perrine, Florida is a suburban ghetto in Southwest Miami. Over 63% of its residents are African-American and the unemployment rate is three times higher than the national rate. Violent crimes occur on a daily basis in this neighborhood of less than two square miles, where much of its adult male population winds up dead or in prison before their 30th birthday. But there is hope in the hood... Dhafir 'Dada 5000' Harris has built a ring in his momma's backyard and transforms himself into the Don King of illegal backyard fights in Perrine". Dada 5000 (6'3", 270lbs., bench presses 670lbs) grew up blocks away from Perrine's MMA sensation, Kimbo Slice, and spent a year traveling the world as Kimbo's bodyguard. When Kimbo's manager buried video of Dada's spectacular backyard fight debut, for fear of Dada overshadowing his rising superstar, Dada leaves Kimbo's crew and makes a life-changing decisión. In his ring there is no doctors, no ambulance. Just two men in a 12'x12' ring battling in a savage bare-knuckle fight to the finish. Dada's gladiators give everything in the the backyard to feed their families and to try to fight their way out of hood. Meanwhile Dada returns to the ring, is discovered by professional scouts and gets his shot at turning pro in the octagon at the Hard Rock Hotel and Casino.
Fights within Eagles were common long before Hotel California. They started as four equal partners. Gradually the power shifted toward Henley and Frey, which Meisner and Leadon resented. Leadon left first because the band progressed from country to rock. He also wanted to live a healthy life in a band that lived extremely unhealthy. Even though they made many wonderful songs, things were far from smooth in the studio.
The second part of this series begins with his return home after his discharge from the army, and how he dealt with a rapidly changing pop scene. The picture is more complicated than even a fairly serious Elvis fan may understand. Priscilla Presley, who made some appearances in the first part, offers much more here, helping us understand how being forced into making a string of lousy movies was one kind of artistic prison, and then being ensconced in casino hotels for his famous Las Vegas residency was another. The man who had so carefully created his original persona was now stuck in the shallow roles others forced him to play.
