November 4, 2029. We face a countdown to catastrophe. A giant asteroid hurtles towards Earth at 40,000 mph. It's heading straight for the eastern seaboard of the United States. The space rock could wipe out an entire city and cause widespread devastation. Can Earth survive? Now, experts confront the story of this fictional asteroid event to determine what could happen, and how it might be stopped.

The Chicago Tribune in late June of '42 reports the mass killing of Jews. Like many other newspapers, the Tribune puts it on page 6 or 7 in a tiny, little article. You either missed it, or if you saw it, you would say the editors don't think this is true. If they thought this was true, this would be on the front pages. Only a few of papers did put the story on the front page, including the Pittsburgh Courier.
The dominant idea in the American government is any act of rescue will be a diversion from the war effort. Both could've been done at the same time. In spite of that, a group of government officials supports and finances rescue operations. Allied soldiers begin to liberate concentration camps and find mass graves. The public sees the sheer scale of the Holocaust.

Vlad Dracula presses an increasingly desperate guerrilla campaign from the shadows, hoping to demoralize the Ottomans and slow their march north. After chasing Vlad for two weeks, sultan Mehmed II and his invading army find themselves caught in a nightmare come to life deep within the Wallachian forest. Many legends have arisen out of the invasion of Wallachia in 1462. One speaks of Vlad Dracula launching a biological attack against the Ottomans to slow their march to his capital city, Târgovişte. Vlad opened his prisons and released hardened criminals to go amongst the Ottomans with tuberculosis and bubonic plague so that they could infect the enemies.
Vlad Dracula also had carried out a scorched-earth policy against Mehmed II. Along with his hit-and-run campaign from the shadows has left the sultan's troops on edge. As Mehmed's army closes on Târgovişte, tensions flare in the Ottoman camp, where food and water are in increasingly short supply. But Vlad had nowhere to rely on food for himself either and there was nowhere to go anymore. He became a prisoner of his own scorched-earth policy. Radu Dracula closes in to take Princess Anastasia hostage. Anastasia commits suicide when he reach her at Poenari castle.

Vlad Dracula was somewhat successful in having the upper hand during the first five-hour fight in the night attack; however, Mehmed’s army won the battle because of their strength and numbers. Vlad could not kill Mehmed II and fled the scene. After the battle, Mehmed and his army enter Târgoviște which was abandoned by Vlad Dracula. But when he entered the city, Mehmed saw a horrific scene. Muslims were impaled by Vlad in Târgoviște, and there was a ‘forest of corpses.’ In history, this is considered a sad event for the Turks. The experts said that when Mehmed saw these impaled bodies, he immediately started praying. One of the dead bodies was of his father in law Hamza Bay.
Days before, Mara and Gülbahar foiled the Wallachian plot inside the sultan’s harem. Radu Dracula takes the throne in Wallachia on Mehmed II’s orders. Radu Dracula promises his loyalty to the sultan, and Mehmed gives 2,000 men to him. We see a restless king Mehmed II back in Istanbul, because he was not successful in killing Vlad Dracula. However, after 15 years, Vlad’s head is brought to Istanbul by one of Mehmed’s soldiers at the end of the last episode of the series.

In episode 2, Ed explains that he has his fortress of friends, but his world is turned upside down by the death of a friend, Jamal Edwards, which comes to affect his music. We will also learn details of his relationship with his wife Cherry.

(Click CC for subtitles) Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented. Nominated for Best Documentary Award, the film has an undeniable and unshakable power. It is one of those documentaries where anyone who watches it won’t be the same person by the end as they were when it started.
To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.