In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents' homeland, Hong Kong. Over the next two years, he'd complete four iconic films that would define his legacy, a legacy cut short when he died, stunningly, in the summer of 1973. He was 32 years old. Directed by Bao Nguyen, 'Be Water' is a gripping, fascinating, intimate look at not just those final, defining years of Lee's life, but the complex, often difficult, and seismic journey that led to Lee's ultimate emergence as a singular icon in the histories of film, martial arts, and even the connection between the eastern and western worlds.
The film chronicles Lee's earliest days, as the son of a Chinese opera star born while his father was on tour in San Francisco, and then raised in Hong Kong over what became an at times troubled childhood. Sent to live in America at the age of 18, he began teaching Kung Fu in Seattle, and established a following that included his future wife, Linda. His ambition ever rising, Lee eventually made his way to Los Angeles, where he strove to break into American film and television. There, despite some success as a fight choreographer and actor, it was clear Hollywood wasn't ready for an Asian leading man - and so he returned to Hong Kong to make the films that would in fact make him a legend, his international star skyrocketing just as his life was cut short.
'Be Water' is told by the family, friends, and collaborators who knew Bruce Lee best, with an extraordinary trove of archive film providing an evocative, immersive visual tapestry that captures Lee's charisma, his passion, his philosophy, and the eternal beauty and wonder of his art.

Foo Fighters prepare to record at the Austin City Limits Studio, with blues guitarist Gary Clark, Jr. In this episode is examined the roots of Austin's music scene, with interviews featuring Billy Gibbons from ZZ Top, and Roky Erickson from 13th Floor Elevators, who is considered one of the American fathers of psychedelic rock. Dave also chats with Terry Lickona, the executive producer of Austin City Limits. The song 'What Did I Do? / God As My Witness' is recorded during this chapter.

Previously on the first season on ‘Rise of Empires: Ottoman,’ Sultan Mehmed II won the battle for the conquest of the great city of Constantinople. Eight years after, Mehmed enjoys the might of his rule over the Ottoman Empire and holds the most significant reputation around his name in the world around. His eyes now glare at the west, with ambitions to seize control over all of Europe. However, there’s a lint in his eyes in the form of Vlad Dracula, the Voivode of Wallachia — a vassal state under the Ottoman Empire. The second season retells the Mehmed vs. Vlad throw down where the two historical figures lay it all out against each other in a fierce battle for the ages.
In the first episode, Vlad along with his brother Radu were left with Mehmed I by their father, as a guarantee that he would not betray the Sultan and help the Hungarians — something he was strongly suspected of. Over time, Vlad went on to get coronated for the throne of Wallachia and his characteristic hotheadedness and arrogance, as well as resentment against the Sultan and the empire, drove him to be unruly. As the threat of his rebellion became the largest it had ever been, Mehmet prepares for battle and moved with his mighty war machine of an army to defeat him.

A Tyrannosaurus and two Quetzalcoatlus fight over an Alamosaurus carcass. A shoal of Sphenodiscus are ambushed by a Globidens, intent on surplus killing them. At an evaporating lake, juvenile Pectinodon hunt flies while their father hunts Styginetta. Male Triceratops fight and display for the right to mate. A female Nanuqsaurus hunts Ornithomimus to feed herself and her offpsring.

To recruit actors for his rehearsals, Nathan opens an acting studio in Los Angeles, teaching 'the Fielder Method', which involves covertly observing and imitating unaware subjects. Feeling insecure about his own performance, Nathan reenacts the class with actors and a fake Nathan as the teacher while the real Nathan plays the role of Thomas, a student. Nathan makes his students immerse themselves in other people's lives while he immerses himself in Thomas's life, even living in Thomas's home.
Nathan returns to Oregon, where his 'son', Adam, is now a teenager. Nathan and Joshua, the actor playing Adam, decide that Adam should lash out due to resentment of his absentee father and develop a drug problem, a situation that mirrors Angela's own past. Adam suffers an overdose and is tended to by emergency responders played by Thomas and another Fielder Method graduate. After he runs away from home, the 15-year-old Adam reverts to a 6-year-old since Nathan plans to relive his son's earlier years.

Former students of Archbishop Keough High School reveal allegations of sexual abuse by Father Joseph Maskell, the chaplain of the school. It details the personal story of 'Jane Doe' (Jean Hargadon Wehner) who claims that Father Maskell took her to see the dead body of Sister Catherine Cesnik in Lansdowne, Maryland.