The film gives an extensive insight into the concept, the recording of the songs and the designing of the album cover. It includes exclusive interviews with almost every key person, who participated in producing the album. The band is represented by all three surviving members – David Gilmour, Nick Mason and Roger Waters. Other participating people include: Joe Boyd, Venetta Fields, Jill Furmanovsky, Roy Harper, Brian Humphries, Peter Jenner, Nick Kent, Aubrey Powell, Ronnie Rondell Jr. (who depicted the 'urning man' on the original cover), Gerald Scarfe, and Storm Thorgerson.

How did the Chinese government turn pandemic cover ups in Wuhan into a triumph for the Communist party? Award-winning filmmaker Nanfu Wang recounts the experiences of people on the ground in the earliest days of the novel coronavirus and the way two countries dealt with its initial spread, from the first days of the outbreak in Wuhan to its rampage across the United States. The film explores the early confusion and parallel campaigns by authorities to try to contain the virus as well as shape the public narrative through misinformation, resulting in a devastating impact on citizens of both countries.
With emotional first-hand accounts from medical professionals, patients, and grieving family members, and startling, on-the-ground footage from both Wuhan and the U.S., In The Same Breath is a revelatory illustration of the devastating toll that resulted from official missteps at containment of the infection and the widespread phenomenon of social media misinformation, while also highlighting the strength and resilience of the people who risked everything to communicate the truth.

Journey through the long-vanished corners of prehistoric North America, beginning when man first entered the vast, unspoiled continent some 14,000 years ago, in this appealing BBC documentary. Witness ancient beasts, mammoths, mastodons, giant bears, and sabre-toothed cats, and see the legacies each has passed to their modern successors. Computer animation and digital effects bring to life mammoths, saber-toothed cats, giant ground sloths, short-faced bears, glyptodonts, and a plethora of smaller animals in a lush Ice Age mosaic. Discoveries from sites across America are the basis for the reconstructions.

The Joker, Lex Luthor, Catwoman, Doomsday, Bane. What makes them so thrillingly watchable? So terribly wonderful? So extremely vital to our super heroes and their worlds? This feature-length documentary explores these questions across seven decades of DC Comics’ hallowed Rogues’ Gallery of infamous evildoers.
Narrated by esteemed film villain Christopher Lee,examines the tortured psyches of your favorite animation, comic book, game, TV and feature film baddies – both from the past and into the future – against the backdrop of culture, history and society. Insights from famed creators and storytellers, including Zack Snyder, Guillermo del Toro, Jim Lee, Geoff Johns and Richard Donner, shine a fascinating light on those malevolent, charismatic characters who thrive in the dark.

Journey through the long-vanished corners of prehistoric North America, beginning when man first entered the vast, unspoiled continent some 14,000 years ago, in this appealing BBC documentary. Witness ancient beasts, mammoths, mastodons, giant bears, and sabre-toothed cats, and see the legacies each has passed to their modern successors. Computer animation and digital effects bring to life mammoths, saber-toothed cats, giant ground sloths, short-faced bears, glyptodonts, and a plethora of smaller animals in a lush Ice Age mosaic.

The film uses drones, hidden and handheld cameras to expose the dark underbelly of modern animal agriculture, questioning the morality and validity of humankind's dominion over the animal kingdom. While mainly focusing on animals used for food, it also explores other ways animals are exploited and abused by humans, including clothing, entertainment and research.
In words of its writer & director, Chris Delforce, 'Dominion to me is the idea of one group or entity exercising control, power or authority over another, under the belief that they have the right to do so. Often this belief seems to stem from the perception of self-superiority and that might equals right. Through this film I challenge both the notion that animals are inferior, and that we as humans have the right to use and treat them as we please for our own ends – and I briefly examine how this superiority complex has and continues to complement some of humanity's darkest ideologies, asking viewers to consider the similarities between racism, sexism and speciesism.'