From the first transistor to deep learning networks, the rise of computing power over the last 50 years has been so phenomenal it's changed everything from the way we communicate to how our appliances interact. Fuelled by giant leaps forward in computer technology, the race is on. As the progress of machines continues to accelerate, so will the pace of change.

Michael Ruppert is an independent journalist who has made a minor career out of telling people news that most folks do not want to know. Ruppert, a former police officer, predicted the Wall Street debacle of 2008 several years before the fact, at a time when most analysts were still imagining infinite growth for the stock market and major investment banks. Since then, his vision of the world's future has grown only darker. As Ruppert sees it, civilization and the global economy has yet to wean itself off fossil fuels, and when the world's supply of oil finally runs out, it will lead to a global financial catastrophe that will leave no one unscathed. But while most of what Ruppert has to say bears the ring of truth, there's a small audience for his dire message -- the primary medium for his work is a self-published newsletter, and his most recent book has done so poorly in the marketplace that he faces eviction from his home. Is Ruppert right? And if he is, why doesn't anyone care? Filmmaker Chris Smith profiles Michael Ruppert and gives him a chance to explain his apocalyptic vision of the future at length

Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009.
Drawing from Snow's unforgettable body of work and involving archival footage, Cheryl Dunn's exceptional portrait captures his all-too-brief life of reckless excess and creativity.

The centre of our galaxy is home to an invisible monster of unimaginable power – a supermassive black hole named Sagittarius A star, with four million times the mass of the Sun. Recent astronomical breakthroughs have confirmed not only that black holes like Sagittarius A star exist, but that these bizarre invisible objects may be the ultimate galactic protagonists.
Stunning CGI takes us back to witness the fiery origins of our galaxy’s black hole 13.6 billion years ago, when the early universe was home to colossal blue stars, and when they ran out of fuel, they collapsed under their own enormous mass, crushing down into an object so small and so dense it punched a hole in the fabric of the universe. Over billions of years, Sagittarius A star feasted on nearby gas, stars, and through cataclysmic mergers with other black holes. A breakthrough discovery by Nasa’s Fermi gamma-ray telescope has shown that our black hole had the power to sculpt the entire galaxy, creating vast bubbles of gas above and below our galaxy and even protecting stars systems as ours.
In a mind-bending conclusion, Brian Cox reveals how our modern understanding of black holes is challenging our concepts of reality to the breaking point. In trying to understand the fate of objects that fall into Sagittarius A star, scientists have come to a stunning conclusion: space and time, concepts so foundational to how we experience the world around us, are not as fundamental as we once thought.

Dr George McGavin and Dr Zoe Laughlin set up base camp at one of the UK's biggest sewage works to investigate the revolutionary science finding vital renewable resources and undiscovered life in human waste.
Teaming up with world-class scientists, they search for biological entities in sewage with potentially lifesaving medical properties, find out how pee can generate electricity, how gas from poo can fuel a car and how nutrients in waste can help solve the soil crisis. They follow each stage of the sewage treatment process, revealing what the stuff we flush can tell us about how we live today, and the mind boggling biotechnology being harnessed to clean it, making the wastewater safe enough to return to the environment.

The documentary is about the effect of fossil fuels on issues such as global warming, the environmental crisis, society and the questionable practices of oil companies. It examines the interconnection of human domination of the planet and the use of petroleum, and offers solutions for how we can stop our progression down this destructive path. Written and directed by James Jandak Wood. The film has several awards and nominations