(Click CC for subtitles) The Last Narc tells the story of a fallen hero, the men who killed him, and the one man who risked everything to find out what really happened and why. Highly decorated special agent Hector Berellez, who was assigned to lead the DEA's investigation of Camarena's murder, peels back the layers of myth and propaganda to reveal the bone-chilling truth about a conspiracy that stretches from the killing fields of Mexico to the halls of power in Washington, D.C.
The first episode is set in the mid-1970s. The newly formed DEA recruits two Mexican-American street cops: Kiki Camarena and Hector Berrellez. Kiki is assigned to Guadalajara, home turf of the Guadalajara Cartel, while Hector targets cartel operations in Los Angeles. The Cartel is putting cops on its payroll, including three Jalisco state policemen. When Kiki is kidnapped it rocks both sides of the border

The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.

The digital possibilities of social control in China have led to an unprecedented level of state surveillance. Through self-censorship or spying on neighbors, surveillance covers not only those perceived as a threat by the government, but increasingly and ever more totally the ordinary citizen: whether buying flowers, taking your child to school, or taking out the trash at night. Big Data and digital technologies are already being used as weapons to curtail freedoms. Step by step, the social and political behavior of the Chinese is changing.
The documentary explores, in intimate detail, digital social control in China by following the experiences of two families and a journalist. Film-maker Jialing Zhang gives an exclusive and previously impossible intimate insight into the interior of China and tells a deeply disturbing story of how the state uses technology to control its citizens as well as propaganda to convince its people to trust it. She tells a deeply disturbing story about technology, (self-) censorship and abuse of power.