Jaw-dropping exploration of our obsessions with high places and how they have come to capture our imagination. Only three centuries ago, climbing a mountain would have been considered close to lunacy. The idea scarcely existed that wild landscapes might hold any sort of attraction. Peaks were places of peril, not beauty. Why, then, are we now drawn to mountains?
Filmed by the world's leading high-altitude cinematographers, narrated by William Dafoe and set to a specially curated musical performance by the Australian Chamber Orchestra, Mountain captures the fierce beauty of some of the world's most treacherous landscapes and the awe they inspire.

A group of brave individuals risk their lives to save the last of the world's mountain gorillas; in the midst of renewed civil war and a scramble for Congo's natural resources." Virunga National Park in the Congo is a place of unique natural beauty. It is the home to a plethora of wonderful animals and vegetation but as is so often the way, it has several serious problems that threaten it. It's the location of human violence, corruption and exploitation. The disasters that specifically loom are two different groups, the M23 and SOCO International. The former are a violent rebel force who engages in an ongoing civil war with the Congolese government and the latter are a British energy company who specialise in oil exploration. Both M23 and SOCO invade the park in their own ways and neither seems very interested in the laws that have been set up to protect the flora and fauna that exist there, far less the people who live there. It seems hardly surprising in the case of M23, as they are a paramilitary organisation who can hardly be expected to be concerned with such things but it is the more legitimate big business SOCO who seem more worrying if anything. We discover in fact that they have been involved in a bribery campaign, utilising M23 as enforcers. It's a very murky situation where big money walks all over an impoverished nation and disregards a natural space that they can see no value in in their pursuit of financial profit.

The film explores George Mallory's obsession with becoming the first person to reach the highest place on Earth. Told through the explorer's poignant and evocative letters to his wife, Ruth, previously unseen photos and film archive from 1924 (restored from the original nitrate especially for the film), dramatization and a modern-day expedition retracing the original route taken in 1924, Mallory's incredible adventure lives again. The expedition was led by renowned mountaineer Conrad Anker, whose life became inextricably linked with Mallory after he found Mallory s body on Everest in 1999. Using replica 1920s-era clothing and equipment, Anker sets out to solve the great mystery of whether Mallory succeeded in summiting Everest before he died he was last seen just 800 feet from the summit before the clouds closed in and he disappeared into legend. The most heart-breaking clue: All of Mallory's belongings were found intact on his body, except the photograph of his beloved Ruth, which he promised to leave at the top of the world if he succeeded.

In these extraordinary times, there is one thing that can offer solace to everyone – the wonder of the natural world. In the most extreme of environments, from the hottest deserts to the freezing poles, from the highest mountains to underwater kingdoms, animals overcome adversity to survive and thrive, offering a message of hope to humanity.
To raise our spirits, David Attenborough, Hans Zimmer and Dave unite for a special Natural History event – Planet Earth: A Celebration. The special one-hour programme brings together eight of the most extraordinary sequences from Planet Earth II and Blue Planet II including racer snakes vs iguana, surfing bottlenose dolphins and rare footage of the Himalayan snow leopard.

Fearless Nepali high altitude climber Nimsdai Purja embarks on a seemingly impossible quest to summit all of the world's 14 highest peaks with an altitude greater than 8000m (called eight-thousanders) in seven months, breaking by far the previous 7 years record. He named his adventure 'Project Possible.'

Austrian director Michael Glawogger travels to five countries to focus on some of the worst jobs imaginable: Ukrainian miners crawl into tiny cracks in old coal pits to scratch out a few bags of winter fuel; Indonesian workers trudge long distances carrying baskets with hundreds of pounds of sulfur chunks extracted from a steaming mountain; Pakistanis risk explosions and burial under tons of scrap iron as they dismantle huge carrier ships. The visuals are everything here. Despite the hardships depicted, many sequences have a dreamlike beauty. In addition, the director has a bone-dry sense of irony; during the Ukraine scenes, he frequently cuts away to a statue of Stakhanov, the "hero" lauded by the Soviets for his superhuman work habits. He also shows us an old German smelting works that's been converted into a theme park.