Sam Smith's book 'The Jordan Rules' exposes the darker side of Michael Jordan's competitiveness, and questions arise about whether he has a serious gambling problem, but he remains focused on winning a new title in 1993. Dealing with the pitfalls of fame and attempting to complete the first three-peat leave Jordan increasingly exhausted and isolated.

Michael Jordan's return in 1995 energizes the Chicago Bulls, the city and the NBA, and the playoff loss the previous season fuels him to work harder than ever to get back on top. In 1998, Phil Jackson was given one final season with his legendary squad and thus the last dance of the 90s.

Crushed by the death of his father, a mentally exhausted Michael Jordan retires in 1993 - to play baseball. The Chicago Bulls move on with Scottie Pippen in the lead role. In 1998, Jerry Krause confirms this will be Phil Jackson's last year as the coach of the Bulls.

In the 1998 NBA finals, the defending NBA champion Chicago Bulls played against Utah Jazz in a repeat of the previous year's Final. With Utah leading 86-85 and few seconds remaining of the definitive match, John Stockton passed the ball to Karl Malone but Jordan stole the ball away and dribbled down the court to hit a 20-footer to end the finals.
Battered and exhausted, the Bulls conclude their 'Last Dance' with a sixth championship. Michael, Phil Jackson and others reflect on the end of the dynasty.

In 1998, the series against the Indiana Pacers of Reggie Miller was the hardest play-off The Chicago Bulls had. In words of Michael Jordan: 'They were big, strong, physical. If I had to pick a team that gave us the toughest time in the east, Indiana was probably the toughest.'
In 1997, The Bulls face a stiff challenge to their reign against the Utah Jazz. The day of the fifth game of the final series, tied at two, Michael Jordan suffered food poisoning but tried to play the game. Role player Steve Kerr makes his mark on the dynasty.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.