Culture

With increasing rumours of a pending arrest intensified, the Bhagwan flees the ranch. The two Learjets carrying Rajneesh and ten of his followers lands at the Charlotte airport, where U.S. police were waiting for them. The United States Marshals Service arrests Rajneesh. Almost simultaneously, Sheela and several followers are also arrested in Germany. In a federal court in Portland, Bhagwan Shree Rajneesh pleads guilty to immigration fraud charges and agrees to leave the country. The Bhagwan's devotees -- and his enemies -- reflect on his legacy.

Ma Anand Sheela emerges as a provocative spokeswoman. The Rajneesh control Antelope city council and they establish a police force in the city. Bhagwan tells Sheela it is time to control Wasco County. As Election Day approaches, the Rajneeshees recruit thousands of homeless people to fortify their ranks.

Ma Anand Sheela and several other followers recount their experiences of moving to the ranch and the hostility from the residents of the city of Antelope. With the help of architects, engineers, city planners and commune residents, Rajneeshees construct a town called Rajneeshpuram. The commune decides to become self-governing which would allow them to issue their own building permits and have separate law enforcement.
Locals describe their mistrust towards Bhagwan. The American press begins to affiliate Rajneeshpuram with the Jonestown Massacre and paints Bhagwan as an antichrist. The group '1000 Friends of Oregon' initiates a court case to have the buildings of Rajneeshpuram destroyed. In response, Sheela begins buying up available properties in Antelope.

Jeremy Clarkson decides to become a naturalist. 'In just 30 years, insect numbers have dropped by 25% and they're still falling. Without insects, all life on Earth ends. Everywhere where insects like to live is disappearing and I've decided to do something about that. My plan is to make my hedgerows, my valleys, my woods, and my streams more attractive to creepy crawlies. In essence, I am going to leave chunks of the farm completely alone. I'm going to put Mother Nature in the driving seat. It's a process called wilding.'

This three-day music festival was promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults. The film documents the notorious music festival like an unravelling horror film to visceral effect, presenting a flashpoint in cultural nadir while suggesting that it was also a sign of troubles to come.

Austrian director Michael Glawogger travels to five countries to focus on some of the worst jobs imaginable: Ukrainian miners crawl into tiny cracks in old coal pits to scratch out a few bags of winter fuel; Indonesian workers trudge long distances carrying baskets with hundreds of pounds of sulfur chunks extracted from a steaming mountain; Pakistanis risk explosions and burial under tons of scrap iron as they dismantle huge carrier ships. The visuals are everything here. Despite the hardships depicted, many sequences have a dreamlike beauty. In addition, the director has a bone-dry sense of irony; during the Ukraine scenes, he frequently cuts away to a statue of Stakhanov, the "hero" lauded by the Soviets for his superhuman work habits. He also shows us an old German smelting works that's been converted into a theme park.