The true story of physicist J. Robert Oppenheimer's journey from driven and ambitious scientist to remorseful and tormented man struck hard by the gravity of what he had done. For Oppenheimer, the successful detonation of the first atom bomb validates years of tireless work. But in this moment of seeming triumph, Oppenheimer sees before him a destructive power of almost supernatural magnitude.
The films explores how one man's brilliance, hubris and relentless drive changed the nature of war forever.

(Click CC for subtitles) Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented. Nominated for Best Documentary Award, the film has an undeniable and unshakable power. It is one of those documentaries where anyone who watches it won’t be the same person by the end as they were when it started.
To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.

Embedding over the course of his seminar 'Date with Destiny', Joe Berlinger turns an unflinching eye on Tony Robbins powerful and uncompromising approach to achieving success, ensuring the attendees leave with new perspective on the forces, thoughts and feelings that motivate their behavior and help them better take control of their lives. The films pulls back the curtain on Tony Robbins, a man that traverses the globe and consults over 200,000 people annually, including world leaders, pundits and celebrities. An emotional tour de force that unveils the inner-workings of this mega event, the zealous participants and the man himself.

The digital possibilities of social control in China have led to an unprecedented level of state surveillance. Through self-censorship or spying on neighbors, surveillance covers not only those perceived as a threat by the government, but increasingly and ever more totally the ordinary citizen: whether buying flowers, taking your child to school, or taking out the trash at night. Big Data and digital technologies are already being used as weapons to curtail freedoms. Step by step, the social and political behavior of the Chinese is changing.
The documentary explores, in intimate detail, digital social control in China by following the experiences of two families and a journalist. Film-maker Jialing Zhang gives an exclusive and previously impossible intimate insight into the interior of China and tells a deeply disturbing story of how the state uses technology to control its citizens as well as propaganda to convince its people to trust it. She tells a deeply disturbing story about technology, (self-) censorship and abuse of power.

From our amazing brain and its inspiring design for artificial neural networks to the hope of artificial general intelligence (AGI), this feature film covers the science of emulating the power of our own brains. Will such technology surpass our own intelligence? Will we reach the Technological Singularity? And what will this mean for humanity?
Toward Singularity takes a look at how neuroscience is inspiring the development of artificial intelligence. Our amazing brain, one of the most complicated systems we know about, is inspiring the development of intelligent machines. Machines that may well surpass our own intelligence and could birth a new species on the planet.

One of Britain's most celebrated artists, Turner showed exceptional artistic talent from an early age and entered the Royal Academy aged fourteen. His English landscapes made his name but there was a darker side to his paintings that was difficult for the critics to swallow, both in the increasingly informal use of paint and the subject matter that was critical of the romanticised vision of Britain in the late nineteenth century.