The film takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, the Slovenian philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Zizek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves.
The Pervert's Guide To Cinema offers an introduction into some of Zizek's most exciting ideas on fantasy, reality, sexuality, subjectivity, desire, materiality and cinematic form. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. The film applies Zizek's ideas to the cinematic canon, in what The Times calls 'an extraordinary reassessment of cinema.'

Journalist and Youtuber Benjamin Cook hosts everyday people discussing a variety of attitudes towards sex. Tofu offers a 'honest, non-judgemental and entertaining view of sex and sexuality'

It's the question you're not allowed to ask. The documentary they don't want you to see. Are gender roles just a 'social construct'? Can a woman be 'trapped in a man’s body'? Does being a woman mean anything at all? We used to think being a woman had something to do with biology, but the nation’s top experts keep assuring us that is definitely not the case. So Matt Walsh sat down with the experts and asked them directly. He discovers that no one—not doctors, therapists, psychiatrists, or politicians—can actually define the word 'woman'.
Walsh uncovers the shocking and horrifying roots of radical gender ideology and learns exactly how activists and ideologues are trying to brainwash our kids. He also reveals a strategy to defeat the collective insanity that has taken over our society. Join Matt on his often comical, yet deeply disturbing, journey as he answers the question generations before us never knew they needed to ask: What is a woman?

British Indie music was once seen as the bastion of the over earnest 'High Fidelity' snob who would sneer at chart success. the indie label was the redoubt against the forces of mediocrity and was a precious source of integrity and honesty. A generation would find meaning in the music of The Smiths, the archetypal indie group of the 1980's. From the Stone Roses, the heir manque of the indie music crown, via Suede’s dark sexuality and the media saturation of Brit-pop's Blur v Oasis, indie was now a marketing device, ultimately losing any of it's once cherished intimacy and integrity