Painting became an important means of communication for David since his face was slashed during a sword fight and his speech became impeded by a benign tumour that developed from the wound, leading him to stammer. He was interested in painting in a new classical style that departed from the frivolity of the Rococo period and reflected the moral and austere climate before the French Revolution. David became closely aligned with the republican government and his work was increasingly used as propaganda with the Death of Marat proving his most controversial work.

The film claims to lift the mask on how the mainstream media and Hollywood manipulate and control the masses by spreading propaganda throughout their content. The goal is to wake up the general public by attempting to shed light on how we all may have been lied to and potentially brainwashed by a 'hidden' enemy with an apparently sinister agenda.
This project was the result of almost two years of blood, sweat, and tears by a team of self proclaimed 'woke professionals'. It's been independently produced and funded and is available on many different platforms for free for anyone to watch. Donations keep our team fed and clothed.

As media outlets become increasingly polarised, and as social media rules information feeds, where does propaganda come into play? This documentary demystifies the predominant methods of persuasion employed by those seeking power, analysing the present day and contextualising it by looking back at periods when propaganda defined nations and kept populations in check.

Dr Nigel Spivey shows how The political power of art was discovered by kings and emperors in the ancient world, It was these leaders who first used imagery to manipulate their subjects, And today our modern politicians are exploiting those same visual strategies, This is the story of how those ancient leaders created techniques of visual persuasion so powerful they've still got a hold on us today.

The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.

North Korea, formerly known as the hermit kingdom, is perhaps the largest source of instability as regards world peace. Its border is one of the most militarized in the world. The lack of impartial information, both inside and coming out of the country, is the perfect setting for a propaganda war, which will be analysed in the film through numerous examples of the surprising way in which information is manipulated, in and about North Korea. Alejandro Cao de Benos, the sole foreigner who works for the People's Republic of Korea Government, and many locals will show us their vision of the reality in North Korea. The other side of the story will be reflected through interviews to South Korean citizens, human rights advocates, diplomats, propaganda experts, etc.