Documentarymania

Simply the Best Documentaries

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The Mission Begins
National Bird
Big Bugs
Neanderthal Apocalypse
Rats
Do You Trust this Computer
The Quasar Enigma
The Red Pill
The Mars Generation
One Ocean
Attenborough and the Sea Dragon
Carlsbad Caverns
St Peter and the Papal Basilicas of Rome
The Wildest Dream Conquest of Everest
Stephen Hawking Favorite Places III
Conversations with Dolphins I
Yellowstone: America first National Park
The Kingdom How Fungi Made Our World
The Fear of 13
Prediction By The Numbers
Earthflight North America
Silicon Cowboys
Shaolin Bootcamp
Japan at War
More Human Than Human
The Farthest
The Language of Science
Spark
The Invisible Universe
Archimedes Secret
The Vikings Uncovered
Vegan 2017 The Film
Precision the Measure of All Things
The Last Reef
The Lost Tribes of Humanity
Africa the Greatest Show on Earth
The Beauty of Maps: Medieval Maps
The Beauty of Maps: Medieval Maps 2010

This documentary series charting the visual appeal and historical meaning of maps. The Hereford Mappa Mundi, the largest intact Medieval wall map in the world, its ambition to picture all of human knowledge in a single image is breathtaking. The work of a team of artists, the world it portrays is overflowing with life, featuring Classical and Biblical history, contemporary buildings and events, animals and plants from across the globe, and the infamous 'monstrous races' which were believed to inhabit the remotest corners of the Earth.

Category: Art    Duration: 28:49

City Maps
City Maps  2010

This is the story of three maps, three 'visions' of London over three centuries. The Morgan Map of 1682 was the first to show the whole of the City of London after the Great Fire of London. In 1746 John Rocque produced at the time the most detailed map ever made of London. Like Morgan's, Rocque's map is all neo-Classical beauty and clinical precision, but the London it represented had become the opposite. In engravings of the time, such as Night, the artist William Hogarth shows a city boiling with vice and corruption. Stephen Walter's contemporary image, The Island, plays with notions of cartographic order and respectability. His extraordinary London map looks at first glance to be just as precise and ordered as his hero Rocque's but, looking closer, it includes 21st century markings such as 'favourite kebab vans' and sites of 'personal heartbreak'.

Category: Culture    Duration: 28:49

Atlas Maps
Atlas Maps 2010

The Dutch Golden Age saw map-making reach a fever pitch of creative and commercial ambition. This was the era of the first ever Atlases - elaborate, lavish and beautiful. This was the great age of discovery and marked an unprecedented opportunity for mapmakers who sought to record and categorise the newly acquired knowledge of the world. Rising above the many mapmakers in this period was Gerard Mercator, inventor of the Mercator projection, who changed mapmaking forever when he published his collection of world maps in 1598 and coined the term 'Atlas'. The programme looks at some of the largest and most elaborate maps ever produced, from the vast maps on the floor of the Royal Palace in Amsterdam, to the 24 volume atlas covering just the Netherlands, to the largest Atlas in the world, The Klencke Atlas. It was made for Charles II to mark his restoration in 1660. But whilst being one of the British Libraries most important items, it is also one of its most fragile so hardly ever opened. This is a unique opportunity to see inside this enormous and lavish work, and see the world through the eyes of a King.

Category: History    Duration: 28:49

Cartoon Maps
Cartoon Maps  2010

The series concludes by delving into the world of satirical maps. How did maps take on a new form, not as geographical tools, but as devices for humour, satire or storytelling? Graphic Artist Fred Rose perfectly captured the public mood in 1880 with his General Election maps featuring Gladstone and Disraeli, using the maps to comment upon crucial election issues still familiar to us today. Technology was on the satirist's side with the advent of high-speed printing allowing for larger runs at lower cost. In 1877, when Rose produced his 'Serio Comic Map of Europe at War', maps began to take on a new direction and form, reflecting a changing world. Rose's map exploited these possibilities to the full using a combination of creatures and human figures to represent each European nation. The personification of Russia as a grotesque-looking octopus, extending its tentacles around the surrounding nations, perfectly symbolised the threat the country posed to its neighbours.

Category: Culture    Duration: 28:49

 
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