'Flexing' is a dance style forged in far east Brooklyn, at the dead-end of a handful of subway lines. Flex dancers channel the grittiness and crime of East New York into choreographed violence with gun movements, simulated bone-breaking, and the mimicked ripping of hearts from opponent's chests. Through battles dancers gain respect, craft an artistic identity, and sometimes find a sanctuary from the poverty and violence that saturates their neighborhood. No other style of street-dance is this violent, scary, or beautifully theatrical. In this purely do-it-yourself scene, creativity and ambition bring a community together around frequent dance-battle showcases that have begun to attract an international audience and may catapult the best dancers into careers in theater or film. Following a group of dancers for over two years, Flex is Kings explores the hopes and realities of this under-acknowledged and totally unfunded group of urban artists
The great mountain ranges are some of the planet's most spectacular landscapes, but they are unforgiving places to live in, and only a few animals have what it takes to live at extreme altitude. Mountain animals are amongst the most elusive in the world, and this film provides unique and intimate glimpses into their secretive lives. Witness the moment four snow leopards come together when a mother and cub become trapped between two rival males. Join grizzly bears as they dance against trees to rub off their winter fur and soar with golden eagles hunting amongst Europe's snow-capped peaks.
A deconstruction of the Church of Scientology's claims through a combination of presenting a condensed history of Scientology and its founder, L. Ron Hubbard, how celebrities interact with the church, the stories of a number of ex-members, and the abuse and exploitation the ex-members described seeing and experiencing". The Church responded vehemently to the film, complaining to film critics about their reviews and denouncing the filmmakers and their interviewees. Directed by Alex Gibney, it is based on Lawrence Wright's book Going Clear: Scientology, Hollywood and the Prison of Belief (2013). Produced by HBO, the film premiered at the 2015 Sundance Film Festival
We can survive for weeks without food, but only days without water: it is the essential element of life. Yet many millions of us live in parched deserts around the world. In the second episode of Human Planet, we discover how the eternal quest for water brings huge challenges - and ingenious solutions - in the driest places on Earth. Battling through a sand storm in Mali, Mamadou must get his cows to a remote lake but desert elephants have arrived first. Can he find a safe way through the elephant blockade? Alone for weeks on end, Tubu women and children navigate the endless dunes of the Sahara. How does young Shede know where to find the last oasis, three days walk across the sea of sand? At the height of the drought we witness a spectacular frenzy: two thousand men rushing into Antogo Lake to catch the fish trapped by the evaporating water. When the rain finally arrives in the desert it's a time for flowering and jubilation - and love. The Wodaabe men of Niger put on make-up for an intoxicating courtship dance and beauty contest.
Cinematographer and documentarian Jody Lee Lipes crafts an intimate, fly-on-the-wall documentary offering a rare peek into the highly-guarded world of professional ballet. The film shadows Justin Peck, the 25-year old choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company's 422nd original piece while simultaneously fulfilling his role as a Corps de Ballet member. Lipes chronicles Peck's creative process from its embryonic stages to its highly anticipated premiere, quietly observing as he balances a roster of musicians, designers, and dancers from this famed institution. Ballet 422 is a powerful celebration of the skill and endurance of Peck and his fellow NYCB dancers-as well as those who remain hidden in the wings.
