The Obama Deception is a hard-hitting film that completely destroys the myth that Barack Obama is working for the best interests of the American people. The Obama phenomenon is a hoax carefully crafted by the captains of the New World Order. He is being pushed as savior in an attempt to con the American people into accepting global slavery.
The Culture High is the riveting story that tears into the very fibre of modern day marijuana prohibition to reveal the truth behind the arguments and motives governing both those who support and those who oppose the existing pot laws. With budgets to fight the war reaching billions and arrests for simple possession skyrocketing to nearly a million annually, the debate over marijuana's legality has reached epic proportions. "The Culture High raises the stakes with some of today's biggest names, unprecedented access to footage previously unobtainable, and incredibly moving testimonials from both sides of the spectrum. Top celebrities, former undercover agents, university professors and a slew of unforgettable characters from all points of view come together for an amusing yet insightful portrait of cannabis prohibition and the grasp it has on society as a whole. "The Culture High" will strip search the oddity of human nature and dare to ask the question: What exactly is going on here?
The Shock Doctrine is a devastating critique of the free market policies which have come to dominate the world. Using shock therapy as a metaphor, the film investigates Klein's central idea of disaster capitalism. Naomi Klein's explores how both natural and man-made disasters are used to force disadvantageous political and economic changes on unwilling governments is brought to the screen in this documentary. The Shock Doctrine explores how the United States, with the help of the C.I.A., became enamored of Milton Friedman's interpretation of free-market capitalism and attempted to persuade developing nations of its value.
In the 80s the nature of the Latino Diaspora changes again. From Cuba a second wave of refugees to United States – the Mariel exodus – floods Miami . The same decade sees the sudden arrival of hundreds of thousands of Central Americans (Salvadorans, Guatemalans, and Nicaraguans) fleeing death squads and mass murders at home like activist, Carlos Vaquerano. By the early 1990s, a political debate over illegal immigration – has begun. Globalization, empowered by NAFTA, means that as U.S. manufacturers move south, Mexican workers head north in record numbers. A backlash ensues: tightened borders, anti-bilingualism, state laws to declare all illegal immigrants felons. But a sea change is underway: the coalescence of a new phenomenon called Latino American culture-as Latinos spread geographically and make their mark in music, sports, politics, business, and education.
It tells the story of FIFA World Cup of 1950, highlighting (but also showing other nations) the path of the two teams who played the final match: Uruguay and Brazil. The high quality of the footage is amazing, the text is smart and humorous, the music has been very well chosen in order to represent both the emotions involved in each moment and the contrast between the calmness of Uruguayan preparation and the crowded days of Brazilian team." The whole story shows not only one side. While Uruguayan team acquired confidence after an initial mistrust, Brazil was by far the best team in the competition but was heavily influenced by the environment in Brazilian society, the influence of politics and the pressure of the fans. While Uruguay overcame heroically all the constraints and, led by Obdulio Varela, won a title that few people believed, Brazilians got shocked because they considered themselves champions even before the final match, and their players became stigmatized until nowadays, not being celebrated as the fantastic team they were.
