The wartime contributions of five prominent Hollywood film directors during World War II are profiled. The documentary focuses on five directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – whose war-related works are analysed by modern filmmakers, respectively Paul Greengrass, Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, and Lawrence Kasdan. In the first episode, John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.
Deep inside the arctic circle, this team of elite engineers Is embarking on an epic endeavor. They're attempting to build a unique structure, one of the largest snow and ice hotels in the world. Constructed from more than 15,000 tons of snow and ice, spanning over 26,000 square feet, they are pushing to complete this ambitious build in an unheard-of six weeks. Engineers brave the cold and nights of the Arctic Circle to build the Ice Hotel. Using cutting-edge tech, they'll construct this modern marvel in just six weeks.
This award-winning series, Private Life of a Masterpiece, reveals the full and fascinating stories behind famous works of art, not just how they came to be created, but also how they influenced others and came to have a life of their own in the modern world. The works of art featured here are both instantly familiar and profoundly mysterious. Revolutionary in their conception, and iconic years after their execution, they each have their own compelling stories. For behind the beautiful canvases and sculptures are tales of political revolution, wartime escapes, massive ego clashes, social scandal, financial wrangling and shocking violence. In this fascinating series key works of art are investigated and the intricate details of their lives revealed - the history, contemporary reactions, and legacies of each are illustrated. A Sunday Afternoon on the Island of La Grande Jatte is a popular masterpiece and yet an enduring enigma. It seems to show a quiet scene in a Paris park but there are hints at the demi-monde, if you know where to look. The most remarkable aspect of this vast canvas however remains Seurat's technique his revolutionary pointillism.
With optional Hebrew subtitles. Simon Schama's history of the Jewish experience plunges into the lost world of the shtetl, the Jewish towns and villages sewn across the hinterlands of Eastern Europe which became the seedbed of a uniquely Jewish culture. Shtetl culture would make its mark on the modern world, from the revolutionary politics of the Soviet Union to the mass culture of Tin Pan Alley and Hollywood. It was also the birthplaces of Hasidism, the most visible, iconic and, arguably, most misunderstood expression of Jewish faith and fervour. This chapter of the story travels from the forests of Lithuania, where Simon's own family logged wood and fought wolves, to the streets of the Lower East Side where the sons of shtetl immigrants wrote the American songbook. With grim inevitability, the story returns to Eastern Europe in 1940 - where the genocidal mechanisms of the 'final solution' were beginning to grind the shtetl world into dust and ash.
xamines the fate of the Neanderthals, our European cousins who died out as modern humans spread from Africa into Europe during the Ice Age. Did modern humans interbreed with Neanderthals or exterminate them? The program explores crucial evidence from the recent decoding of the Neanderthal genome. How did modern humans take over the world? New evidence suggests that they left Africa and colonized the rest of the globe far earlier, and for different reasons, than previously thought. As for Homo sapiens, we have planet Earth to ourselves today, but that's a very recent and unusual situation. For millions of years, many kinds of hominids co-existed. At one time Homo sapiens shared the planet with Neanderthals, Homo erectus, and the mysterious "Hobbits"–three-foot-high humans who thrived on the Indonesian island of Flores until as recently as 12,000 years ago. "Last Human Standing" examines why "we" survived while those other ancestral cousins died out. And it explores the provocative question: In what ways are we still evolving today?
