Caravaggio's approach to painting was unconventional. He avoided the standard method of making copies of old sculptures and instead took the more direct approach of painting directly onto canvas without drawing first. He also used people from the street as his models. His dramatic painting was enhanced with intense and theatrical lighting.
Caravaggio's fate was sealed when he killed a man in a duel in 1606. He fled to Naples where he attempted to paint his way out of trouble, he became a Knight, but was then imprisoned in Malta and then finally moved to Sicily. He was pardoned for murder in 1610, but died of a fever when attempting to return to Rome. For me the power of Caravaggio's art is the power of truth, not least the truth about ourselves. If we are ever to hope for redemption we have to start from the recognition that the Goliath competes with the David in all of us."
Andrew Graham-Dixon reveals how the Medici family transformed Florence through sculpture, painting and architecture and created a world where masterpieces fetch millions today. Without the money and patronage of the Medici we might never have heard of artists such as Donatello, Michelangelo or Botticelli, and Graham-Dixon examines how a family of shadowy, corrupt businessmen, driven by greed and ambition, became the financial engine behind the Italian Renaissance.
Every day of our lives, we are bombarded by thousands of different images,
images which affect us in countless different ways. But of all these there's one particular kind of image whose power is uniquely mesmerising, because while it terrifies us somehow it also comforts. But although it can manipulate us, it also reassures, It's the image of death.
After 400 BC, a new philosophy was born in South east Asia, generated from the ideas of Buddha, a mysterious Prince from India who gained enlightenment while he sat under a large, shapely fig tree. He remains one of the most legendary and influential of all religious progenitors, but what of his actual life? In this biographical documentary, director David Grubin tells the historical tale of Gautama Buddha (563-483 BC), from his initial enlightenment through his death around the age of 80. In the process, Grubin makes an unusual point: that Gautama never once claimed to be God or God's emissary, but instead sought to find a way to bring peace and alleviation from suffering to others in a cruel and often insane world. In telling this story, Grubin combines a number of elements including original animations, testimony by contemporary Buddhists such as the 14th Dalai Lama Tenzin Gyatso, glimpses of sculptures and paintings that help tell Gautama's story, and much more. Narrated by Richard Gere
Andrew Graham-Dixon begins his exploration of German art by looking at the rich and often neglected art of the German middle ages and Renaissance. He visits the towering cathedral of Cologne, a place which encapsulates the varied and often contradictory character of German art. In Munch he gets to grips with the earliest paintings of the Northern Renaissance, the woodcuts of Albrecht Durer and the cosmic visions of the painter Albrecht Altdorfer. Andrew also embarks on a tour of the Bavarian countryside, discovering some of the little-known treasures of German limewood sculpture.
