Filmmaker Daniel McNicoll explores the emerging movement to reclaim the ancient medieval and renaissance martial arts in this documentary narrated by Welsh actor John Rhys-Davies, and produced on corroboration with Lord of the Rings director Peter Jackson. The Medieval and Renaissance blade was a remarkable weapon crafted with the utmost attention to detail. Though the history of the sword remains largely shrouded in mystery for younger moviegoers, their presence on the big screen can still be felt in the Star Wars saga, as well as films like Chronicles of Narnia and The Pirates of the Caribbean. Join host Davies as he traces the history of this remarkable weapon throughout the ages, in the process giving us a better understanding of the sword's unique role in both history, and films.

From dinosaurs to mammoths, when our ancient ancestors encountered the fossil bones of extinct prehistoric creatures, what did they think they were? Just like us, ancient peoples were fascinated by the giant bones they found in the ground. Historian Tom Holland goes on a journey of discovery to explore the fascinating ways in which our ancestors sought to explain the remains of dinosaurs and other giant prehistoric creatures, and how bones and fossils have shaped and affected human culture.
In Classical Greece, petrified bones were exhibited in temples as the remains of a long-lost race of colossal heroes. Chinese tales of dragons may well have had their origins in the great fossil beds of the Gobi desert. In the Middle Ages, Christians believed that mysterious bones found in rock were the remains of giants drowned in Noah's Flood.
Tom encounters a medieval sculpture that is the first known reconstruction of a monster from a fossil, and learns about the Native Americans stories, told for generations, which contained clues that led bone hunters to some of the greatest dinosaur finds of the nineteenth century.

Physicist Jim Al-Khalili travels through Syria, Iran, Tunisia and Spain to tell the story of the great leap in scientific knowledge that took place in the Islamic world between the 8th and 14th centuries. Its legacy is tangible, with terms like algebra, algorithm and alkali all being Arabic in origin and at the very heart of modern science - there would be no modern mathematics or physics without algebra, no computers without algorithms and no chemistry without alkalis. For Baghdad-born Al-Khalili, this is also a personal journey, and on his travels he uncovers a diverse and outward-looking culture, fascinated by learning and obsessed with science. From the great mathematician Al-Khwarizmi, who did much to establish the mathematical tradition we now know as algebra, to Ibn Sina, a pioneer of early medicine whose Canon of Medicine was still in use as recently as the 19th century, Al-Khalili pieces together a remarkable story of the often-overlooked achievements of the early medieval Islamic scientists.

To our medieval forebears the world could appear mysterious, even enchanted. Sightings of green men, dog heads and alien beings were commonplace. The world itself was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited.

How should art depict the relationship between man and God? How can art best express eternal values? Can you and should you portray the face of Christ? For over 1,000 years these were some of the questions which taxed the minds of the greatest artists of the early West. In this three-part series, art historian Andrew Graham-Dixon sets out to unravel the mysteries of art from the pre-perspective era". In the first episode, Andrew traces the beginnings of Christian art in the declining Roman Empire, Egypt and medieval France, and reveals the ideas which lay behind the transition

The Queen of Sheba - an exotic and mysterious woman of power - is immortalised in the world's great religious works, among them the Hebrew Bible and the Muslim Koran. She also appears in Turkish and Persian painting, in Kabbalistic treatises, and in medieval Christian mystical works, where she is viewed as the embodiment of Divine Wisdom and a foreteller of the cult of the Holy Cross. In Africa and Arabia her tale is still told to this day and, indeed, her tale has been told and retold in many lands for nearly 3,000 years.