In the 80s the nature of the Latino Diaspora changes again. From Cuba a second wave of refugees to United States – the Mariel exodus – floods Miami . The same decade sees the sudden arrival of hundreds of thousands of Central Americans (Salvadorans, Guatemalans, and Nicaraguans) fleeing death squads and mass murders at home like activist, Carlos Vaquerano. By the early 1990s, a political debate over illegal immigration – has begun. Globalization, empowered by NAFTA, means that as U.S. manufacturers move south, Mexican workers head north in record numbers. A backlash ensues: tightened borders, anti-bilingualism, state laws to declare all illegal immigrants felons. But a sea change is underway: the coalescence of a new phenomenon called Latino American culture-as Latinos spread geographically and make their mark in music, sports, politics, business, and education.

The war on drugs was upon them, and despite believing that they were untouchable, the authorities close in. The 'Cowboys' are left with three options: flee, flip or face the music. Falcon and Magluta, along with their associates, were ultimately arrested and tried for their crimes. But they won't go down so easily.

As their high-profile trial begins, Willy and Sal attempt to neutralize witnesses against them in a variety of ways — some legal, others not so much.

In the wake of a stunning verdict, questions arise about the jury's credibility, and one juror in particular soon adopts a very creative legal defense.

Sal takes uncharacteristically desperate measures in the face of new federal charges, an unearthed paper trail and increasing pressure on a confidant.

As Sal has his day in court -again- Willy decides to go his own way. After two decades, can the government finally make the charges stick?