It was 1985. Guns N' Roses were soon to be known as the last mammoth rock entity to come out of LA after selling over 100 million albums. Jon Brewer brings alive never-before-seen video footage of Guns N' Roses in their earliest days as a fledgling band, filmed and meticulously archived over the years by their close friend. They became known as 'the most dangerous band in the world' and retained the title for reasons this film portrays, via interviews with band members and those who were there on, and off, tour. Venture down seedy Sunset Strip to the Whiskey, the Rainbow and the Roxy, all known as 'the Jungle'.
Graham-Dixon reveals how the north of the country has produced some of the most dazzling and iconic art of the modern age. Spain's turbulent history has shaped artists from Francisco Goya to Pablo Picasso. Graham-Dixon argues that Spanish architecture is the art form now taking the nation forward in the new millennium.
Fifty years after Britain's foremost underground band released their debut album Piper at the Gates of Dawn, Pink Floyd remain one of the biggest brand names and best-loved bands in the world. This film features extended archive footage, some of it rarely or never seen, alongside original interviews with the four surviving members of Pink Floyd - David Gilmour, Roger Waters, Richard Wright and Nick Mason - and traces the journey of a band that has only ever had five members, three of whom have lead the band at different stages of its evolution.
A band that has spanned 40 years pioneering everything from underground rock to the stadium extravaganza, a band that has survived tragedy and shunned celebrity and wrestled publicly with both it's success and it's audience. There have been five members of the band three of which have lead the band in different decades and that's why the question still remains, which one is pink? This film examines the band and it's history in order to discover how they became so successful.
The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.
