Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne. This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.
In the third episode, prominent adventure sports photographer Krystle Wright captures the immersive world of free-diving in Vanuatu, athletes who appear to walk on air in the canyons of Colorado, and powered para-gliders on the flooded salt pans of Utah.
The photographer of the second episode of the series is Richard I'Anson, who documents a fire rite, attempts to photograph the elusive Himalayan snow leopard and captures the colorful Festival of Holi.
In this series, the pursuit of the perfect image takes five adventurous photographers on journeys to the ends of the Earth, where they push the limits of their craft. In the first episode, Australian marine photographer Darren Jew captures mating humpback whales in Tonga, a 70-year-old biplane wreck and an active New Guinea volcano.
In the fourth episode of the series, legendary nature and cultural photographer Art Wolfe captures the great brown bear with the stunning backdrop of Alaska’s mountains and glaciers, immigrating wildebeests in the plains East Africa, and the hard-to-find gorillas of Uganda.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.