What if aliens landed on Earth? Much of science fiction explores the moment of first contact – what will people do when the aliens land? From H. G. Wells’ pioneering The War of the Worlds to Independence Day, Men in Black, and District 9, Invasion deals with our fears of alien invasions of earth. David Tennant explains the appeal of Doctor Who’s Daleks and Cybermen while John Carpenter and Chris Carter explore the rich appeal of the paranoia fuelled by hidden aliens with The Thing and The X-Files. It also asks, what if the monsters were our own creation? With the aid of rarely seen animation tests, Phil Tippett takes us behind the scenes in the creation of the dinosaurs of Jurassic Park. But not all invasions are hostile. Peter Coyote and Richard Dreyfuss discuss the creation of Spielberg’s spellbinding classics E.T. the Extra-Terrestrial and Close Encounters of the Third Kind. There is more than one kind of invasion.

The fourth episode of the series takes viewers on a fascinating journey through the unique and diverse landscapes of Australia, a continent that drifted apart during the time of the dinosaurs. Isolated for millions of years, the weird and wonderful animals marooned here are like nowhere else on Earth. From the vast deserts to lush rainforests, this episode showcases the incredible wildlife that calls this continent home. The film highlights the fascinating behaviors and adaptations of Australia's native animals, including the elusive dingo, kangaroos, and the iconic Tasmanian devil. It also sheds light on the challenges these creatures face in a rapidly changing world, emphasizing the impact of human activities on their survival and underscoring the importance of preserving these environments and the incredible creatures that inhabit them.
The stunning cinematography and intimate footage capture the beauty and struggles of Australia's wildlife, making this documentary a visual treat and a must-watch for anyone interested in wildlife and conservation.

Japan's role in World War II gets a whole new perspective in this consisting entirely of full colour footage, including colour films from Japan that were recently discovered. As the visuals of the world war take on a new vivid immediateness, the story of the rise of the militarists in Japan is told through the personal writings of the Japanese themselves. From the first overconfident tastes of victory, to the devastating losses that led to an unthinkable defeat amidst the ruins, the Pacific Theater of World War II is told through the Japanese's eyes.

Alejandro Jodorowsky's daring and psychedelic films of the early 1970's, 'El Topo' and 'The Holy Mountain', cemented his status as the Godfather of the Midnight Movie. In 1974, he began work on his next film, possibly the most ambitious film ever attempted. In the pre-Star War era, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever. His DUNE would star Brontis Jodorowsky, Alejandro's own 12 year old son, alongside Orson Welles, Mick Jagger, David Carradine and even Salvador Dali. The team of assembled visual artists were some of the most provocative talents of the era, including H.R. Giger, Chris Foss, and Jean ‘Moebius’ Giraud. The groundbreaking special effects were under the control of Dan O'Bannon and the soundtrack would be created by Pink Floyd and the French prog-rock masters, Magma.
For two years, Jodorowsky and his team of 'Spiritual Warriors' worked night and day on the massive task of creating the fabulous world of DUNE. In order to secure the necessary Hollywood funding, they created over 3,000 storyboards, numerous paintings, incredible costumes, and an outrageous, moving, and powerful screenplay. In the words of Jodorowsky’s producer, Michel Seydoux, 'It should have been enough. But it wasn’t.' Through intimate and honest conversations with Jodorowsky, filmed over the span of three years, plus interviews with legends and luminaries including H.R. Giger (artist, ALIEN), Gary Kurtz (producer, STAR WARS) and Nicolas Winding Refn (director, DRIVE and THE NEON DEMON), as well as never-before-seen realizations of Jodorowsky’s mind-blowing psychedelic space opera, director Pavich's film finally unearths the full saga of 'THE GREATEST MOVIE NEVER MADE'.

As a teenager in the 90s, Soleil Moon Frye carried a video camera everywhere she went documenting her group of friends as they grew up in Hollywood and New York City. Frye spent four years going through footage she had shot and used hundreds of hours of films to build an intimate look at young Hollywood starlets growing up in the 1990s.
David Arquette, Balthazar Getty, Brian Austin Green, Stephen Dorff, Mark-Paul Gosselaar, Danny Boy O'Connor, Heather McComb appear in the film, while Harold Hunter, Justin Pierce, Jenny Lewis, Sara Gilbert, Charlie Sheen, Leonardo DiCaprio, Mark Wahlberg, Corey Feldman, Michael Rapaport, and Jonathan Brandis appear in the film through footage shot by Frye.

Stanley Kubrick's mark on the legacy of cinema can never be measured. He was a giant in his field, his great works resembling pristine pieces of art, studied by students and masters alike, all searching for answers their maker was notoriously reticent to give. While he's among the most scrutinized filmmakers that ever lived, the chance to hear Kubrick’s own words was a rarity—until now.
Unspooling exclusive new recordings of detailed interviews with the mythic director spanning 30 years that ruminate on his philosophies, documentarian Gregory Monro weaves a tapestry of archival footage with the rhythm and care of a consummate historian relishing in his discoveries.