Charles Franz talks about his relationship with Father Maskell as a young student and reveals what he knows about the Church’s involvement with Maskell. Cathy’s sister sees the necklace given by Edgar Davidson and questions if it has significance.
Potential DNA and evidence could exist for the crime, and the police might be forced to act. A push for victims’ rights in Maryland goes to a committee but getting justice might be more difficult... and time doesn’t stand still for anyone.

At a powderkeg moment in American policing, 'The Force' goes deep inside the embattled Oakland Police Department as it struggles to reform itself amid growing local controversy. Filmmaker Peter Nicks embedded with the department over the course of two years to follow its serial efforts to recast itself. The film focuses on the new chief brought in to effect reform at the very moment the Black Lives Matter movement emerges to demand police accountability and racial justice both in Oakland and across the nation.
'The Force' goes inside an embattled urban police department struggling to rebuild trust in one of America's most violent yet promising cities.

The film follows the story of Abu Zubaydah, the first high-value detainee subjected to the CIA's program, of Enhanced Interrogation Techniques (EITs), later identified as torture by those outside the agency. Having never been charged with a crime or allowed to challenge his detention, Zubaydah remains imprisoned at Guantánamo Bay in Kafkaesque limbo, in direct contravention of America’s own ideals of justice and due process.
Twenty years on, The Forever Prisoner reveals the origins of the clandestine operations that led the United States, in the 'War on Terror,' on a path of cruelty, deceit, and self-deception. With first-hand accounts from the two interrogators to question Abu Zubaydah, a shocking interview with the chief architect of EITs, and an interview with Daniel Jones, former Senate Investigator, the film uncovers the incompetent and deceptive practices that the U.S. government followed in order to expedite and legalize EITs in the aftermath of 9/11. As a result, torture as a government policy was authorized by the United States for the first time in history.

Superman is really the all-father of superheroes. He is the Odin from which all else springs forward. Without Superman, there's no Marvel or DC, no billion-dollar blockbusters. His logo is one of the three most recognizable symbols on the planet, and it stands shoulder to shoulder with the crucifix and the Jewish star. Superman became a worldwide phenomenon and was created by two working-class kids from Cleveland, Jerry Siegel and Joe Shuster.
Superman is for justice and it's kind of ironic that there was a great injustice done to his creators. Siegel and Shuster lost everything, and just like Superman, they demanded justice. They fought for years to receive proper credit and compensation.

(Click CC for subtitles) Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented. Nominated for Best Documentary Award, the film has an undeniable and unshakable power. It is one of those documentaries where anyone who watches it won’t be the same person by the end as they were when it started.
To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.

Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri.
Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the national guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. Whose Streets? is a powerful battle cry from a generation fighting, not for their civil rights, but for the right to live.