This is the story of three maps, three 'visions' of London over three centuries. The Morgan Map of 1682 was the first to show the whole of the City of London after the Great Fire of London. In 1746 John Rocque produced at the time the most detailed map ever made of London. Like Morgan's, Rocque's map is all neo-Classical beauty and clinical precision, but the London it represented had become the opposite. In engravings of the time, such as Night, the artist William Hogarth shows a city boiling with vice and corruption. Stephen Walter's contemporary image, The Island, plays with notions of cartographic order and respectability. His extraordinary London map looks at first glance to be just as precise and ordered as his hero Rocque's but, looking closer, it includes 21st century markings such as 'favourite kebab vans' and sites of 'personal heartbreak'.

With the killer's identity - and twisted motives - revealed, the group finds more key clues as the global police manhunt reaches a fever pitch. A question arises: Were we complicit in his crimes? Did we feed the narcissism of the monster to the point where he had to go forward?

An astonishing close encounter with some of the most exotic creatures inhabiting the hidden depths. In the realm of the giant octopus, the rainbow nudibranch (sea slug), and the Scorpion fish, viewers become a fearless undersea explorers, discovering the strange and unusual partnerships these 'star wars' creatures forge to ensure their survival, and learning how this cooperation allows life in this enchanting world to flourish. Filmmaker Howard Hall guides an astonishing adventure. Johnny Depp and Kate Winslet narrate as Green Sea Turtles gather so Surgeonfish can strip harmful algae from their shells. A Humboldt Squid changes color four times per second like a flashing strobe light. A Mantis Shrimp’s claws have the speed of a bullet in battling a hungry octopus. Brace yourself to be submerged in a wondrous new dimension.

On 20th and 21st of December 1980, Dire Straits played at the Rainbow Theatre, London. Both nights were recorded for broadcasting on BBC2 television. Cameras were on hand to film the return of Dire Straits from their triumphant 1980 Brothers in Arms world tour. The film features a superb concert they played and band members talk about their music and the pressures and the consequences of success.
Rehearsals took place at the Whood Wharf studio in London as well, between March 4-7, 1980, as well as interviews Less than a year later, before the recording sessions for ‘Making Movies’ ended (after Mark admitted that he wished they would continue indefinitely), David would leave the band, never to return.

Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Professor Jim Al-Khalili investigates the most accurate and yet perplexing scientific theory ever - quantum physics. At the beginning of the 20th century scientists were led into the hidden workings of matter, into the sub-atomic building blocks of the world around us. They discovered phenomena unlike any encountered before - a realm where things can be in many places at once, where chance and probability call the shots and where reality appears to only truly exist when we observe it. Albert Einstein hated the idea that nature, at its most fundamental level, is governed by chance. Jim reveals how, in the 1930s, Einstein thought he'd found a fatal flaw in quantum physics because it implies that sub-atomic particles can communicate faster than light in defiance of the theory of relativity. In the 1960s the scientist John Bell showed there was a way to test if Einstein was right and quantum mechanics was actually mistaken. Jim repeats this critical experiment - with shocking results.