In the second episode, the directors learn their vision for the films is not always permissible by the U.S. government. Wyler is shocked by the racism he encounters against African American soldiers and refused to make a film recruiting black soldiers. Meanwhile, the films' racist depiction of the Japanese versus human depiction of the Germans causes worry for the War Department, which at that time planned to redistribute the Japanese-American population from internment camps into towns across the United States.
The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.
Trade, and in particular trade in luxury goods, drove the commerce economies of the Bronze Age. This is the time when the first super powers in history, Egypt and Mesopotamia, emerge and dominate the 'world' stage of the Mediterranean and Aegean seas and surrounding areas.
The Bronze Age had the first large urban centers, powerful kingdoms and armies, writing, and trade routes across vast areas. What led to the collapse of the city-state entities and the end of the Bronze Age? Possibly a perfect storm of uncontrollable factors that are still being researched.
Award winning wildlife photographers Jonathan and Angela Scott have travelled the world, always returning home to Kenya. There they introduced the world to the big cats of the Maasai Mara and now they are part of its fight for survival.
